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>> she used her ampersands quite extensively through her writing, so every fifth, sixth line would have an ampersand on it, in her known handwriting, where richard always used the a-n-d for the verbiage and. >> kittel also noticed that nancy and richard made their capital "i" differently. >> richard used one down stroke like a 1, whereas nancy used a down stroke and then a cross at the top and bottom. she was willing to take a lot more time in executing them than richard was. >> their lowercase fs were different as well. >> richard used a clockwise motion coming down from the top of the "f" do...

So every fifth, sixth line would have an ampersand on it, in her known handwriting, where richard always used the a-n-d for the verbiage and. >> kittel also noticed that nancy and richard made their capital "i" differently. >> richard used one down stroke like a 1, whereas nancy used a down stroke and then a cross at the top and bottom. she was willing to take a lot more time in executing them than richard was. >> their lowercase fs were different as well. >> richard used a clockwise motion coming down from the top of the "f" down to the bottom.

There were differences. >> she used her ampersands quite extensively through her writing, so every fifth, sixth line would have an ampersand on it, in her known handwriting, where richard always used the a-n-d for the verbiage and. >> kittel also noticed that nancy and richard made their capital "i" differently. >> richard used one down stroke like a 1, whereas nancy used a down stroke and then a cross at the top and bottom. she was willing to take a lot more time in executing them than richard was. >> their lowercase fs were different as well. >> richard used a clockwise motion coming down fr...