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BBCNEWS This Cultural Life June 4, 2024 02:49:00

With us, but he wrote the play so he could play the main character, malcolm scrawdyke. and to cut a long story short, he was impossible to direct. he d say, oh, a director s just a chairman. i d say, why don t you move over there on that.? he d say, why? i could move there, i could move anywhere. and so. at this point, i d already. and we ve talked about this, i d already formulated notions about. because i wanted to write and direct and i d formulated notions about other collaborative ways of making work. and this experience, much though i felt. think the play is great and much though i was very fond of halliwell and we had a good gang of folk involved, it was a defining experience, just because i decided ....

Mike Leigh , Play For Today , Malcolm Scrawdyke , Cut A Long Story Short , Why Don T , Making Work ,

BBCNEWS This Cultural Life June 4, 2024 02:42:00

The students looking at the subject, at the model in the life drawing class, the actor has got, you know, he or she is going to start to stand up and play this person they actually know, and then that person they know, and then we meld them together and the character is created. but, of course, the two famous myths about what i do with actors is, one is that the actors come with ideas, and the committee is formed as to what the subject. that s not the case at all. in fact, it s very it s essential that they. ..when i say to an actor, participate in this piece of work, this play or this film, we can t talk about a character, because there isn t a character. you and i are going to collaborate to create a character, and you will never know anything about the whole thing, except what your character knows . so they don t know about the other characters? not until, not until and unless they meet them in the context of the work. are they banned from talking ....

Life Drawing Class , Making Work , Play For Today , Didn T , Isn T A Character ,

BBCNEWS This Cultural Life June 4, 2024 02:48:00

You know, about how we live, relationships, work, responsibility, surviving, secrets and lies, you know, the stuff of living really. class ? and class, yes. it s funny, it s interesting, i didn t put that instinctively at the top of the list, but fair do s, you know. could you characterise a typical mike leigh film? what sort of films does mike leigh make? no, i couldn t do that and i m not going to try. you ve chosen as your next cultural moment an experience from 1965. you directed the original production of little malcolm and his struggle against the eunuchs, a play by david halliwell. you ve described this experience as a life changing experience. why? because. david halliwell, who was a close friend and a very talented guy, he s no longer ....

Making Work , Secrets And Lies , Mike Leigh , David Halliwell , Little Malcolm And His Struggle Against The Eunuchs ,