At Olympics, the line between photo and painting can blur
A photograph is not a painting. A painting is not a photograph. Yet in the right situation, in the right hands, the two can approach each other and, in the best circumstances, seem to merge.
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A photograph is not a painting. A painting is not a photograph. Yet in the right situation, in the right hands, the two can approach each other and, in the best circumstances, seem to merge.
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BEIJING (AP) — A photograph is not a painting. A painting is not a photograph. Yet in the right situation, in the right hands, the two can approach each other and, in the best circumstances, seem to merge. Add to that the unremitting scenes of dynamic motion that the Olympics provide — dramatic backdrops, unexpected moves, impossibly fit bodies performing at the height of their capacities — and you have a recipe for the arresting collision of news and aesthetics, of photography and art.
Anastasia Tatalina said she was heavily underscored during the women?s slopestyle final Russian Olympic Committee (ROC) freestyle skier An