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Theatre review: The Appleton Ladies' Potato Race, Bille Brown Theatre - Vimarsana News

Theatre review: The Appleton Ladies' Potato Race, Bille Brown Theatre

Mashing through the glass ceiling, one potato race at a time, The Appleton Ladies' Potato Race looks at how the gender pay gap plays out in country Australia.

The Appleton Ladies' Potato Race (Queensland Theatre) - Vimarsana News

The Appleton Ladies' Potato Race (Queensland Theatre)

Melanie Tait's play beautifully captures small-town community spirit, with tongue-in-cheek humour and plenty of heart.

Review: Gender pay gap a hot potato in earthy comedy - Vimarsana News

Review: Gender pay gap a hot potato in earthy comedy

Small-town sexism gets a good roasting in The Appleton Ladies’ Potato Race at Queensland Theatre.

Revolutionary digital system transforms contemporary stage design - Vimarsana News

Revolutionary digital system transforms contemporary stage design

Directors and designers can collaborate remotely in a virtual space. iDesign allows directors and designers to test out their ideas in the digital twin of the entire theatre environment. UNSW Sydney Scientia Professor and Australian Research Council (ARC) Laureate Fellow Dennis Del Favero at UNSW Arts, Design & Architecture is leading the development of the iDesign platform, enabling the creation of a digital twin of a real theatre production design. The revolutionary prototyping platform assisted Sydney Theatre Company (STC) in the early stages of developing a production while the theatre it...

Opera Australia's Merry Widow a non-serious operetta highly worthy of support - Vimarsana News

Opera Australia's Merry Widow a non-serious operetta highly worthy of support

Opera Australia's Merry Widow a non-serious operetta highly worthy of support We’re sorry, this service is currently unavailable. Please try again later. Dismiss Opera Australia's Merry Widow a non-serious operetta highly worthy of support By Peter McCallum Normal text size Reviewed January 5 Karl Kraus, pointed satirist of early 20th century Austro-German affairs, is reputed to have remarked that in Berlin, things were serious but not desperate, whereas in Vienna they were desperate but not serious. In a different sense the same might be said of Opera Australia’s return to the stage this...