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The piercing traumas of school shootings, when they’ve made it into the movies, have seldom carried quite the right tone. Even the best intentions in wading into such tragic horrors can come off as insincere, even exploitive. “Mass,” Fran Kranz’s meditative chamber piece, is a sober and wrenching exception. Kranz’s film, the veteran actor’s first…
The piercing traumas of school shootings, when they've made it into the movies, have seldom carried quite the right tone. Even the best intentions in wading into such tragic horrors
The piercing traumas of school shootings, when they've made it into the movies, have seldom carried quite the right tone
The piercing traumas of school shootings, when they've made it into the movies, have seldom carried quite the right tone. Even the best intentions in wading into such tragic horrors
The piercing traumas of school shootings, when they've made it into the movies, have seldom carried quite the right tone. Even the best intentions in wading into such tragic horrors