This is not to conserve the bow house tradition but rather to act as a forum for discussion. Aesthetic and social questions are opened up again viewed through the mirror of history. And there are some incredible things to see from playful structures and expression and sketches to little wooden houses with socalled furniture for the people functional but far removed from what is supposed to be bell house style by maya has long been a place of experimentation. Assumes self said that before tackling the design of objects you basically have to put people in new clothing particularly during that period in the 19th tens and twentys there was a lot of talk about the new human but everybody meant Something Different by it selfe also reflected many different concepts and images of the Human Dimension of conflict here it was a time of upheaval on the one hand the human body was liberated but on the other the human was in slave to the rhythm of the machine technical progress of hope both
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the representatives of contemporary bound houses. asks how do we want to live now and in the future she thinks of the revolutionary ideas of a century ago are still relevant today. when we had monism kamen in the years of any post-colonialism the architects that came of the day were modern and i love the architecture that has really formed the structure of the city of lagos on the alley modernism of the forty s fifty s and sixty s still taking place dr texture lagos is expanding at a breathtaking pace it s africa s 2nd largest city and one of the welds most densely populated is somewhere between colonialism and modernism nigerian architects are creating that own design language. what was considered as african tenets of the within the rule and i love that saying the. we need to be realistic
to. exit. the universe itself is true. this it is there are far too weak in far for people in the city beauty talk to this has prompted. this lecture circuit streets around two hundred kilometers to the south is lagos. nigeria is not just city is constantly changing. like other representatives of contemporary bound house. asks how do we want to live now and in the future she thinks the revolutionary ideas of a century ago are still relevant today. when we had monism kamen in the years of any post-colonialism the architects that came of the day but modern i love the