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I think it would get down to the chemistry. and if the chemistry was right and if we had both the same feeling about working together and if they could sing or play and they didn t mind being challenged, i m good. larry: will you play sir duke to break? i need some tea. hold on. how can we do this? mm. larry: one-handed here. music is a world within itself with a language we all understand with an equal opportunity for all to sing, dance, and clap their hands well, just because a record has a groove don t make it in the groove you can tell by the way it let s the a when the b boys ....
Kept it with integrity was great. larry: tell me about for once in my life. where did that come from? for once i can say this is mine, you can t take it the way that went was, i was in motown in detroit. and i was with my producer, hank cosby at the time, who i said, i ve got this great idea. because i mean, obviously i heard tony bennett do the song when i was like maybe 12 years old, 13, or whatever it was. 14. and i loved it. what he did with the song. but by about 17, 18, i said, wow, that s such a great song. let me try to do it a different way. i said hank, i ve got a great idea to do this song. he said what song? i said, for once in my life. so i went to the studio and started going like he said what are you doing, man? what s up? i said listen, just listen. ....
come on, let s fall in love larry: we re back with stevie wonder. what a career. you toured with the rolling stones back in 1972. i was going to ask, what was that like backstage? what was that like? it was interesting. we had a lot of fun. a lot of what i wrote for talking book, the album that was very successful problem around that time i wrote on that tour. superstition i wrote on a day off while on the tour with the stones. i mean, we had a good time. we really did. larry: did you like their music? i think we went to the ....
And my mother worked at a fish company working with i guess the for a while and then fortunately, we were blessed with me being discovered at the age of 9. then signing to motown by the age of 10, and then at 11 having the first record out. larry: and that helped the whole family? we did make some money. larry: you were a prodigy. when did you what was did you play piano like when you were 5? yeah. i played piano. i mean, you know, obviously, sound was very important to me. so when i was able to you know, to touch that thing that s called a piano, you know, i was curious about it, and i think the first that s probably the first thing i played. larry: three blind mice. exactly. ....
how i wish that you were mine larry: so why did you change it? marsha and i broke up. and so the lyricist the lyricist sylvia moore wrote my cherie amour. sorry, marsha. larry: oh, marsha, you re sorry today, aren t you? when you think she s probably saying, well, it was about me originally any way, so whatever. larry: when you think the song out, someone has to write down all the notes, right? well, you know, in today s technology you can play on a keyboard like this or any of the other keyboards or piano and through midi, which is the technology that takes, based on numbers, digital, information and take that information and convert that into the the writing of each note that you ....