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Paramount+ and Nickelodeon announced the start of production on "Zoey 102" Thursday. Jamie Lynn Spears executive produces the film and reprises her role from the "Zoey 101" series.

There’s also contact with the Alpha Quadrant, both direct (“Pathfinder,” “Life Line”) and indirect (“One Small Step”). The former is particularly important, as real-time communication is finally reestablished with the folks back home, and will remain so from this point to the end of the series. Plus, of course, there’s continued issues with the Borg. They come across three ex-Borg who have managed to pull away from the Collective. They discover a ravaged Cube with only five very young survivors, four of whom are de-Borgified and made part of the Voyager community (“Collect...

Screenshot: CBS Original air dates: October 1998 – May 1999 Executive Producers: Rick Berman, Brannon Braga Captain’s log. Of all the seasons of Voyager to date, the fifth was the one that had the most literal forward motion. Thanks to a wormhole of sorts (“Night”), experiments with the quantum slipstream drive (“Timeless”), and a stolen Borg transwarp conduit (“Dark Frontier”), they made several jumps ahead, cutting their journey home by tens of thousands of light-years. We got a new recurring antagonist in the environmentally impure Malons (“Night,” “Extreme Risk,” ...

If there was any kind of theme to the season, it was moving forward, most obviously shown when Voyager itself was thrown forward 10,000 light-years by Kes on her way out the door at the top of the season, and then the ship gaining another 300 light-years thanks to a juryrigged quantum slipstream drive at the end of the season. Just in general, Voyager emphasized making progress, not pausing long in any one place, and while there were recurring antagonists like the Hirogen, most of the nations encountered by the ship were left behind in short order. And even the Hirogen encounters were all b...