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The musician, as young white man who grew up poor alongside black neighbours and took on aspects of their music. # i'm going to heaven! he's chanelling both black music, i mean, what the film goes out of its way to say, i think, is no black music, no elvis. but he also channels country music, he brings all of these elements together, and what he creates musically and physically is a language that the youth of its time understands. he speaks to youth in a rebellious way in which the adult world simply doesn't understand, and that is crucial. your future, mr presley, blazing before you. much of ...

An impact in the second half of the 1950s. in baz luhrmann�*s audio and visual feast, we see elvis the musician, as young white man who grew up poor alongside black neighbours and took on aspects of their music. # i'm going to heaven! he's challenging both black music. i mean, what the film goes out of its way to say, i think, is no black music, no elvis. but he also channels country music, he brings all of these elements together, and what he creates musically and physically is a language that the youth of its time understands. he speaks to youth in a rebellious way in which the adult world...

Man who grew up poor alongside black neighbours and took on aspects of their music. # i'm going to heaven! he's challenging both black music. i mean, what the film goes out of its way to say, i think, is no black music, no elvis. but he also channels country music, he brings all of these elements together, and what he creates musically and physically is a language that the youth of its time understands. he speaks to youth in a rebellious way in which the adult world simply doesn't understand, and that is crucial. your future, mr presley, blazing before you. much of the film focuses on elvis�...