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back of studio he would noise wayne reudiger the right shot. roger didn't have _ reudiger the right shot. roger didn't have a _ reudiger the right shot. roger didn't have a smoke _ reudiger the right shot. roger didn't have a smoke machine, | reudiger the right shot. roger i didn't have a smoke machine, but reudiger the right shot. roger - didn't have a smoke machine, but if you were doing rock and pop in the '605, you were doing rock and pop in the '60s, 70s, 80s you had to have smoke. so he's dark on hitting the road is to smoke two or three cigarettes at once. this picture is normally shone cropped like that but we lifted on crop so could demonstrate roger's home—made smoke machine. it is demonstrate roger's home-made smoke machine. , ., , ., demonstrate roger's home-made smoke machine. , ., , ., , ., , machine. it is images of rock stars which first grab _ machine. it is images of rock stars which first grab your _ machine. it is images of rock stars which first grab your attention. - which first grab your attention. come into this room and it soon becomes clear that roger was just as inspired, perhaps more so, by the people anything is right on his doorstep. he somehow made the demise of the west pier beautiful, if heartbreaking. and while it's perhaps no surprise that the brighton festival inspired him, he could also turn a commission from the bus company into a work of art, as he did with his lifelong passion for the railway. all of it on show here at the brighton museum and art gallery. here at the brighton museum and art galle . ~ . ., ~' here at the brighton museum and art galle . ~ _, ~ i. here at the brighton museum and art galle .~ , here at the brighton museum and art galle . ~ ~ i. , gallery. welcome i think you is look

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