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On your face as you remember that, but i'm also intrigued that you absolutely made a point of saying, you know, "it is me operating the camera." and, you know, you're a cinematographer who's done, what? 70 odd films, but is it true that on every single one you have insisted on operating the main camera? i have, yeah, yeah. there's been other operators, like on 1917... sure. ..there were a couple of other operators doing specific pieces of equipment, but i've always wanted to operate, yeah. imean, i... is that control freakery? because some other leading cinematographers don't quite... no, yeah...

In their mind, but to get there was a real achievement. it's wonderful. and i love the smile you have on your face as you remember that, but i'm also intrigued that you absolutely made a point of saying, you know, it is me operating the camera. and, you know, you're a cinematographer who's done, what? 70 odd films, but is it true that on every single one you have insisted on operating the main camera? i have, yeah, yeah. there's been other operators, like on 1917... sure. ..there were a couple of other operators doing specific pieces of equipment, but i've always wanted to operate, yeah. imean...

And i love the smile you have on your face, as you remember that but i'm also intrigued that you absolutely made the point of saying, you know, it is me operating the camera, and, you know, you're a cinematographer who's done, what, 70 odd films, but is it true that on every single one you have insisted on operating the main camera? i have, yeah, yeah. there's been other operators, like on 1917... sure. ..there were a couple of other operators doing specific pieces of equipment, but i've always wanted to operate, yeah. imean, i... is that control freakery? because some other leading cinematogr...

That says one. you know, i mean, i, probably on the majority of 1917, i was operating remotely. so, you know, when an actor's going very fast, and you're panning the camera, using wheels, and trying to stay with it, and then, yeah, you get to the last minute of a seven—minute take or whatever, and you think, "he's going to go around that corner "really fast, so i've got to whip the camera around", and all that, and it's like, yeah, it's kind of nerve—racking, but it's also exhilarating. and the number of times when we did, i don't know, six, ten, 12 takes, and then sam would say, "ok, we'v...

And i love the smile you have on your face, as you remember that but i'm also intrigued that you absolutely made the point of saying, you know, it is me operating the camera, and, you know, you're a cinematographer who's done, what, 70 odd films, but is it true that on every single one you have insisted on operating the main camera? i have, yeah, yeah. there's been other operators, like on 1917... sure. ..there were a couple of other operators doing specific pieces of equipment, but i've always wanted to operate, yeah. imean, i... is that control freakery? because some other leading cinematogr...