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as an excuse to build new coal mines. he was speaking at a un climate change summit where delegates are seeking ways of reducing carbon dioxide emissions. now on bbc news, it s hardtalk. welcome to hardtalk. i m stephen sackur. much of the world is now transitioning from locking down to living with covid 19, and that means that, in cities like london, cultural life is returning, performers are back on stage, audiences can gather to enjoy them. my guest today is the world renowned hungarian conductor and composer, ivan fischer, known for his innovative style. it has been a tough couple of years, so how easy is it to find the magic in music making? ivan fischer, welcome to hardtalk. lovely to be here. it s great to have you here in london. let me ask you how different has it been making music in the time of covid? covid had positive and negative effects on our life. the problem was that there is no audience and actually we make music for people. this is actually easy fo ....
world renowned hungarian conductor and composer ivan fischer, known for his innovative style. it has been a tough couple of years, so how easy is it to find the magic in music making? ivan fischer, welcome to hardtalk. lovely to be here. it s great to have you here in london. let me ask you, how different has it been making music in the time of covid? covid had positive and negative effects on our life. the problem was that there is no audience and actually we make music for people. this is actually easy for musicians to forget. some musicians make music to impress other musicians, and we always, i remind them, we play for the audiences, we play for the listeners. and this is what we didn t have. that was terrible. now the good thing is that, actually, it made us realise how badly we need the audiences. i think there is a streaming tiredness in the world now. because for many months after covid hit hungary, hit europe, hit the world, you created a new way of performin ....
Being able to do normal concerts, with orchestra on stage and the full concert hall. how do you turn it into a virtue? first of all, we came to the idea that to have a small chamber groups is fine. you cannot have an orchestra, because.too dangerous with this virus. three, four people, you can get away with that. so, the orchestra started to play much more chamber music, and this is wonderful for them. they love it. and the other thing was, i imagine the audience, they cannot go to the concert, they are at home, now the age of streaming concerts starts. so, let s give them a concert every night, a new chamber music concert. we called it the quarantine soirees and we did a new ....
It was like, i have to come up with a line which mozart liked very much, like turning a necessity into a virtue. we had a problem of not being able to do normal concerts, with orchestra on stage and the full concert hall. how do you turn it into a virtue? first of all, we came to the idea that to have a small chamber groups is fine. you cannot have an orchestra, because too dangerous with this virus. three, four people, you can get away with that. so, the orchestra started to play much more chamber music, and this is wonderful for them. they love it. and the other thing was, i imagine the audience, they cannot go to the concert, ....
A necessity into a virtue. we had a problem of not being able to do normal concerts, with orchestra on stage and the full concert hall. how do you turn it into a virtue? first of all, we came to the idea that to have a small chamber groups is fine. you cannot have an orchestra, because too dangerous with this virus. three, four people, you can get away with that. so, the orchestra started to play much more chamber music, and this is wonderfulfor them. they love it. and the other thing was, i imagine the audience, they cannot go to the concert, they are at home, now the age of streaming concerts starts. so, let s give them ....