'Paava Kadhaigal' review: A largely effective dark anthology
Express News Service There’s an inexplicable unease caused by the melancholic lullaby, Kanne Kanmaniye, Sivatmikha’s song that precedes each of the four films in Netflix’s anthology, Paava Kadhaigal. It’s the discomfiting hint that the same parents who so cherish and adore their daughters, calling them Kanne and Kanmaniye, somehow develop the cognitive dissonance necessary to be able to unleash unspeakable monstrosities on them in the name of honour. The slashes of red in the animation video that charts the growth of a daughter, as she transforms from dependent toddler to a freethinki...