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Onjames norton'sjohn, a window cleaner single—handedly raising his young son, michael. john is dying and is desperate to find the perfect family to care for his child after he's gone, but that's proving to be an impossible task, not least becausejohn wants to protect michael from the reality of his situation for as long as possible. i don't want him to understand death. not yet. while the set—up may sound mawkishly sentimental, pasolini keeps things nicely underplayed, relying on the on—screen chemistry between norton and young daniel lamont to tell the story with little dramatic padding...

An impossible task, not least becausejohn wants to protect michael from the reality of his situation for as long as possible. i don't want him to understand death. not yet. while the set—up may sound mawkishly sentimental, pasolini keeps things nicely underplayed, relying on the on—screen chemistry between norton and young daniel lamont to tell the story with little dramatic padding. as the pair plod from house to house interviewing possible adoptive parents, their reactions are as eloquent as they are sometimes silent and look frequently saying much more than words could. ace cinematograp...

I don't want him to understand death. not yet. while the set—up may sound mawkishly sentimental, pasolini keeps things nicely underplayed, relying on the on—screen chemistry between norton and young daniel lamont to tell the story with little dramatic padding. as the pair plod from house to house interviewing possible adoptive parents, their reactions are as eloquent as they are sometimes silent and look frequently saying much more than words could. ace cinematographer marius panduru keeps things deceptively simple, his eye for detail finding the magical in the everyday and showing that th...