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Paramount’s production, directed by Jim Corti and Trent Stork, does the show justice, deftly managing to be immensely family friendly while also leaning hard into the musical’s mature themes and darker elements.
As scores go, Henry Krieger wrote a fitting tribute to the artists whose work is referenced here. But the book by Tom Eyen has problems.
Somewhere between the screen and the stage, something in "Groundhog Day: The Musical" has been lost in translation.
Oscar Hammerstein’s book has been tweaked, but the story is the same as ever — and that’s not necessarily a good thing.