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Presence is less a movie than it is a gimmick, and while I'm all for Soderbergh making smaller films, this is the latest frustrating example of his tendency to go for volume above all else.
Ponyboi is a bold and transcendent performance that is screaming out to be seen, and if Hollywood is willing to look at Gallo it could be a game changer.
In the case of Suncoast, it feels a bit too much like writer/director Laura Chinn was meeting with her therapist and was told “just write a screenplay about your teenage experiences and see if you can work in a part for Woody Harrelson.”
Ejiofor capably tells a tragic tale that is worthy of the Bard h in Rob Peace—if he can hone is instincts a bit, he has the potential to be great storyteller.
In My Old Ass, Elliot meets her older self during a mushroom trip the summer before she leaves for college.