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Bogey in the air! the role of visual effects is very much how do we make it so we are never noticed? and that's when we knew we did ourjob the best. when we're putting a bunch of cg jets right along real photographed jets, you have a bar that is set that is so incredibly high that there is no compromise. my standpoint, as the visual effects supervisor, - what i was trying to do is make sure that we were giving our. team the best beginnings of that shot design. - so, it was a real camera i operator filming a realjet in the sky. and even though in the story, i we might be changing those jets to ...

Is very much how do we make it so we are never noticed? and that's when we knew we did ourjob the best. when we're putting a bunch of cg jets right along real photographed jets, you have a bar that is set that is so incredibly high that there is no compromise. my standpoint, as the visual effects supervisor, - what i was trying to do is make sure that we were giving our. team the best beginnings of that shot design. - so, it was a real camera i operator filming a realjet in the sky. and even though in the story, i we might be changing those jets to a tomcat or a su—57, which is the enemyjetl...

The role of visual effects is very much how do we make it so we are never noticed? and that's when we knew we did ourjob the best. when we're putting a bunch of cg jets right along real photographed jets, you have a bar that is set that is so incredibly high that there is no compromise. my standpoint, as the visual effects supervisor, what i was trying to do is make sure that we were giving our team the best beginnings of that shot design. so, it was a real camera operatorfilming a realjet in the sky. and even though in the story, we might be changing those jets to a tomcat or a su—57, which...

We might be changing those jets to a tomcat or a su—57, which is the enemyjet,| or dark star, which is- the hypersonic prototype aircraft at the beginning - of the film, even though those jets would ultimately be| what the audiences saw, i still wanted the team to be able to start with something j that was real. worked really closely - with our advisers in the navy to figure out, you know, how to sort of take - what was on the script - to the screen, in the sense of what specific manoeuvres pilots, real pilots, _ would be doing in those combat situations. - for us to kind of look at just the...

Behind—the—scenes look at visual effects. the hell kind of mission is this? this time, we're talking to the team behind the bafta and oscar—nominated top gun: maverick. bogey in the air! the role of visual effects is very much, how do we make it- so we are never noticed? and that's when we knew we did ourjob the best. i when we're putting a bunch of cg jets right along - real photographed jets, i you have a bar that is set that is so incredibly high - that there is no compromise. my standpoint as the visual effects supervisor, what i was trying to do is make sure that we were giving our ...