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Secret initiative rights. and some sound recordings can be sacred so it cannot be listened to by everyone so we must respect this is a rich and still living culture, we are not talking about ed objects in showcases. aha, not talking about ed ob ects in slimmest not talking about ed ob ects in showcases. a final thought and it is a reflection showcases. a final thought and it is a reflection on showcases. a final thought and it is a reflection on what i showcases. a final thought and it is a reflection on what this i it is a reflection on what this cultural institution is. it is hugely ambitious and costs hundreds of millions of euros over the last 20 years to set this all up. governments in europe right now are strapped for cash and it is very unlikely that projects like this are going to be launched in the nearfuture. and this are going to be launched in the near future. and the this are going to be launched in the nearfuture. and the big money now, it seems, for the development o ....
Some in storage for research. so it is much more complex than sometimes we can imagine, because it is a decision made ljy because it is a decision made by the nigerians, who are now the owners of the objects. m012? the owners of the ob ects. now that s interesting. i the owners of the objects. now that s interesting. so the owners of the objects. now that s interesting. so what do you think your decisions here in germany, about your benin bronzes, what do they seems much more likely to agree that they should be returned to nigeria, what is the message? t nigeria, what is the message? i cannot talk about a british or french or whatever colleagues, but i know that there are many dialogues needed for common solutions and we are still in contact not only with partners in nigeria and looking forward what happens in britain and france and many others ....
If you are discussing this with the communities of origin, and you can do provenance research in these types of museums and collections, only in a very close collaboration with these communities, then you learn that these are still living objects, these are still secret items, and that is why we try to talk about cultural belongings in many ways. the french academic belongings in many ways. the french academic who was hired as an advisor, i believe, to the museums here, benedict savoy, she quit back in 2017, her advisory role. she said she felt too little attention was being given to this whole provenance debate and explanation, and she feared, she said, that the humboldt forum was going to become, , a symbol of german oppression, hegemony and colonialism. she said the very idea of locating all of these ethnographic collections in a rebuilt ....
Prussian palace was, her words, i. a prussian palace was, her words, a complete mismatch . it prussian palace was, her words, a complete mismatch .- prussian palace was, her words, a complete mismatch . it was a dee cut a complete mismatch . it was a deep cut in a complete mismatch . it was a deep cut in the a complete mismatch . it was a deep cut in the discussion i a complete mismatch . it was a deep cut in the discussion in i deep cut in the discussion in germany, the situation, and many things changed in between. so there is much more attention given by the museums which are in charge to provenance research, and there are much more political interests and support given to restitution in various ways. 50 support given to restitution in various ways. various ways. so in a sense, she forced various ways. so in a sense, she forced the various ways. so in a sense, she forced the museums i various ways. so in a sense, she forced the museums to | various ways. so in a sens ....
Which is now very important in museums, their collections and their explanations of their collections, and provenance essentially means telling the story of how the particular objects and pieces came to be on display very far from where they were made and had their cultural significance. they were made and had their culturalsignificance. do they were made and had their cultural significance. do you think you have done enough to explain the provenance of all the amazing objects that we see around us today? around us today? what i can sa , around us today? what i can say. there around us today? what i can say, there are around us today? what i can say, there are the around us today? what i can | say, there are the colleagues in the museums who are in charge, are looking much more carefully about, or into the biography, i preferthe carefully about, or into the biography, i prefer the term biography, i prefer the term biography, of these items, and in a way, i try to talk about cult ....