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THE SUNDAY TIMES BESTSELLER 'I've been waiting for this book all my life and everyone needs to read it' Claudia Winkleman Anya Hindmarch is a mother of five, stepmother, entrepreneur and globally renowned businesswoman. In If In Doubt, Wash Your Hair, she shares what she has learned during her busy and eclectic life, what she still worries about, and what advice she has received along the way. From practical tips and quick fixes, to profound observations about confidence and creativity, this inspiring handbook will show you how to live a little better - and why sometimes, the answ...

'Tall Bones brilliantly conjures up the oppressive claustrophobia of the small town... Extremely well written, fantastic.' HARRIET TYCE, author of Blood Orange 'A wonderfully haunting debut. Small-town intrigue, exquisitely drawn' JANE HARPER, author of The Dry and The Lost Man When Emma leaves her friend Abi at a party in the woods, she believes that their lives are just beginning. Many things will happen that night, but Emma will never see her friend again. What happens next in Whistling Ridge is so much more than the story of a missing girl. It's a story of secrets and...

'Full of delicious layers . . . I felt drunk reading it.' Emma Jane Unsworth Intoxicating, compulsive and blackly funny, Other People's Clothes is the thrilling debut novel from Berlin-based American artist Calla Henkel. 2009. Berlin. Two art students arrive from New York, both desperate for the city to solve their problems. Zoe is grieving for her high school best friend, murdered months before in her hometown in Florida. Hailey is rich, obsessed with the exploits of Lindsay Lohan and Britney Spears and wants to be a Warholian legend. Together they rent a once-magnifice...

The Queer Biopic in the AIDS Era offers a new account of the AIDS crisis and the emergence of New Queer Cinema. Author Laura Stamm asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. Queer filmmakers' engagement with the biopic evokes the genre's history of building life through the portrayal of lives worthy of admiration and emulation but it also points to another biopic history; that of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers chal...