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To grant pregnant women the license to feel something, to be themselves in cinema: is it just too much to imagine?

The Brooklyn Rail is a journal committed to providing an independent forum for visual arts, culture, and politics throughout New York City and beyond.

When polymath Peter Nadin moved from New York more than thirty years ago to live at Old Field Farm, his rural property in the Catskill Mountains, he consciously left behind his role as a key figure in the city’s downtown art scene for a more contemplative lifestyle. Despite this, Nadin never stopped painting and two years ago had a debut exhibition at Off Paradise, The Distance From a Lemon to Murder.

The Brooklyn Rail is a journal committed to providing an independent forum for visual arts, culture, and politics throughout New York City and beyond.

The book demonstrates the critical force of feeling and how it enables artists, audiences, and all of us to recognize our embeddedness in one another’s lives. Musser argues that the embodied sensations induced by encounters with artworks are essential tools for responding to violence and enacting alternative futures.