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Amol Rajan Interviews

the bbc. i want to talk to about so much. i think it makes sense to begin at the end and this is where we cut to when enormous this is where we cut to when enormou5 spoiler alert, we tell people that logan roy in succe55ion doe5 die. wa5 people that logan roy in succe55ion doe5 die. was it strange leaving this production, 5uch strange leaving this production, such a big part of your life and mind. you'll it was such an odd feeling. i looked on it wrongly a5 a form of rejection. i looked upon it, you have done with logan, you created this monster and you don't know, you got rid of him in a pretty brilliant way. that was so brilliant the way he did it because there was no set up, we didn't know it was going to happen, it gets on the plane. hejust had this huge, these first two acts, epi5ode hejust had this huge, these first two acts, episode one, episode two, we see this in epi5ode two, we see this in full blast. and suddenly he's gone. i was fine with a bit

Sense , People , Succe55ion-doe5-die , Bbc , Spoiler-alert , The-end , Part , Life , Production , It , Mind , A5

Amol Rajan Interviews

awful. it sounded very vainglorious and that i own is the part. and, of course, tony apparently saw this, somebody pointed it out to him and he got very upset, rightly, because it was geared, steered in a certain way and it was very unpleasant.— in a certain way and it was very unpleasant. sony is in tony hopkins. _ very unpleasant. sony is in tony hopkins. tony i very unpleasant. sony is in l tony hopkins. tony hopkins. very unpleasant. sony is in i tony hopkins. tony hopkins. and his then wife, _ tony hopkins. tony hopkins. and his then wife, i _ tony hopkins. tony hopkins. and his then wife, i that _ tony hopkins. tony hopkins. and his then wife, i that it's _ tony hopkins. tony hopkins. and his then wife, i that it's got i his then wife, i that it's got nothing to do with me, i was lying asleep and they ring me and they bushwhacked you like they do, i said yes, i was give us, well, iwas, it was they do, i said yes, i was give us, well, i was, it was simple, but i don't have any ownership on the role. hannibal has been played by a lot of people sense, it's a bit like hamlet. you can't only role in saying hamlet, imb king lear. no, if you have seen schofield play king lear, 0livier�*s leah, there are 70 versions of king lear around and they are all equally good, you know. who

Course , S-oken-way , Part , Somebody , Anthony-hopkins , Wife , Sony , Nothing , King-lear , People , Lot , Role

Amol Rajan Interviews

know. a5 is a man of few words as we know. as we know murdoch is, murdoch is a man of action and when he does something like sending a fax to his, giving jerry hall the heave ho. the way he does. he is monstrous. also, that's interesting. he said earlier, _ also, that's interesting. he said earlier, we've had some good times, jerry, which is one way of saying it. he has worked with some of the biggest stars both behind and in front of the camera. it was averse to play hannibal lecter in the film debbie mount hunter, giving an intense performance.— hunter, giving an intense performance. did you get my car? i got — performance. did you get my car? i got it. _ performance. did you get my car? i got it, thank— performance. did you get my car? i got it, thank you. i performance. did you get my car? i got it, thank you. how| car? i got it, thank you. how is officer— car? i got it, thank you. how is officer stuart? _ car? i got it, thank you. how is officer stuart? he - car? i got it, thank you. how is officer stuart? he is i car? i got it, thank you. how is officer stuart? he is fine. l is officer stuart? he is fine. emotional _ is officer stuart? he is fine. emotional problems, i- is officer stuart? he is fine. | emotional problems, i hear. is officer stuart? he is fine. i emotional problems, i hear. no, of course you don't. it

S-oken-way , Something , Man , Murdoch , Man-of-action , Words , A5 , Fax , Jerry-hall , Heave-ho , Times , Way

Amol Rajan Interviews

rejected. i'm going to end up as an ear on the carpet, on the plane. as an ear on the carpet, on the lane. , , ., , as an ear on the carpet, on the lane. , , . ., plane. the series was created by british _ plane. the series was created by british writer _ plane. the series was created by british writer and - plane. the series was created by british writer and producer| by british writer and producer jesse armstrong. he by british writer and producer je55e armstrong. he is je55e arm5trong. he is delivered nearly a0 epi5ode5 je55e arm5trong. he is delivered nearly a0 episodes in one of the most famous characters in recent television history. did you have any 5way. maybe logan shouldn't die? there is no point going down that road. je55e has already made a plan. in a way, he probably got slightly hoisted by his own petard on that one. the scripts got later and later, it was a big change. he decided to make logan die, i think, ultimately too early. he

Writer , And-plane , Series , Ear , Carpet , Lane , Jesse-armstrong , British , Plane , Producer , He-by , Point

Amol Rajan Interviews

north and south? north and south. it should, but it should be its own autonomy, it has its own autonomy. all of these parts of this union should be autonomous. we are not autonomous. as a united kingdom, we're not at all autonomous. we have to behave towards what is decided by the westminster government. let's end with some quickfire questions, 0k? so this is maximum ten words, minimum one. we'll start with some opinions on other actors. what do you make of brad pitt? brad is a worker. and he's really worked on himself as an actor. i don't think his natural inclination was to do that. i think because the way he looked, he stumbled into it. but i think he's become an extremely fine actor. michael caine. he sighs michael caine. um... actually, i saw him

All , Parts , Union , Autonomy , North-and-south , Actors , British , Words , Brad-pitt , Westminster , Questions , Opinions

Amol Rajan Interviews

emotional problems, i hear. no, of course you don't.— of course you don't. it came five years — of course you don't. it came five years before _ of course you don't. it came five years before anthony i five years before anthony hopkins play the role in silence of the lambs. too much great public acclaim. it is wron: great public acclaim. it is wrong to _ great public acclaim. it is wrong to get _ great public acclaim. it is wrong to get into - great public acclaim. it is wrong to get into a i great public acclaim. it 3 wrong to get into a situation where you feel you only role. that is your role, you own it. and that's not healthy. you have to let it pass. this is why i'd go back to thejen armstrong situation, with roles, just let them pass, they go through you, you don't want to hold on. i remember i got caught that way because i was sleeping in a hotel room and the phone rang and it was somebody from the daily may and he was talking about hannibal lecter the and they said and he would be first hannibal lecter and i said yes, i was the first, was the first hannibal lecter, and that was the heading on the newspaper —— the daily mail. "imb first hannibal lecter to," it said. it was

Course , It , Role , Problems , Public-acclaim , Great-public-acclaim , Wrong , Silence , Anthony-hopkins , Situation , Lambs , Ai-great-public-acclaim

Amol Rajan Interviews

has been the sexual exploitation of women. the most notorious abuse of the producer harvey weinstein is now serving a nearly a0 year sentence for rape. do you feel there was a conspiracy of silence now? well, of course. not a conspiracy of silence, a conspiracy of silence, a conspiracy of silence, a conspiracy of silence acceptability. that's what it was. we accepted it, wrongly so. and there were so many actresses from the 19305 and 19505 who had to go through the most horrible things dealing with it, much more horrible than this present generation is said to deal with and theyjust did it, they did it because they had no recourse not to do it. and there were a lot of these pretty strong women who dealt with what was going on, you know, this sort of sexual exploitation of actresses in a way. exploitation of actresses in a wa . ., , ., exploitation of actresses in a wa. ., , ., , ., ., ., way. lots of strong women have s-oken way. lots of strong women have spoken out _ way. lots of strong women have spoken out about _ way. lots of strong women have spoken out about harvey i spoken out about harvey weinstein and brought him to justice. weinstein and brought him to 'ustice. . ,

Course , Women , Harvey-weinstein , Exploitation , Conspiracy-of-silence , Abuse , Sentence , Rape , It , Actresses , Acceptability , 19305

Amol Rajan Interviews

if they met certain standards on diversity and inclusion. richard dreyfus said this made him vomit. is that it is an art, no—one should be telling me as an artist eye have to give into the latest most current idea what morality is. what do you think of the idea that 05cars should be subject to diversity and inclusion? i think we have to be diverse, that's a different problem, but they don't think that we have to be, say, we have to gear it in that way, because we are not telling the truth. we have to telling the truth. we have to tell the truth, you know. because the oscars have to be judged and artistic merit above all? . �* , judged and artistic merit above all? ., �* , , all? that's right. it is the merit. all? that's right. it is the merit- i _ all? that's right. it is the merit. i agree _ all? that's right. it is the merit. i agree with i all? that's right. it is the i merit. i agree with richard. and they understand that. because there is a highly imaginative actor who has done some great work. he understands what talking about. more power for speaking up about it. of course is not going to popular because nobody likes it answers that's wrong, we have to do this, we have to do that. the most shocking _ this, we have to do that. the most shocking issue - this, we have to do that. the most shocking issue within the acting industry in recent years

One , Idea , Inclusion , Diversity , Him , Art , Artist-eye , Morality , Standards , Vomit , Richard-dreyfus , 05