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Aahat and Tansen in the early 1990s. The playwright was considered way ahead of her times because of the way she both entertained and educated the audience, all at the same time. Being an educationist was a part of her personality, but being a playwright was something she excelled at. Her heroines stood shoulder-to-shoulder to men, she was her own master who knew how to get the job done and mostly ended up in happily-ever-after endings (except for in Uncle Urfi). Like Fatima Surayya Bajiya, every actress wanted to play her heroine; but unlike Bajiya, she leaned more towards comedy than serious issues.