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Detailed text transcripts for TV channel - MSNBC - 20130624:00:06:00

The car pass. cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy rolling out there in different positions. kyle then sends these layers to zane rutledge to work his magic. it s three shots stitched together in a couple of subtle and deliver ways. the original hand held shot up to a moment and then the final hand held shot at the end but in between we re seaming that together with the cheated hand held simulated in the computer. to create that shot zane uses a process called rote owe scoping. it s a pains taking screen by screen shaping rachel. and by isolating her on in that way we re able to drop her onto the other shot. but the devil is in the details. after viewing the effect, zane ....

Cindy Running , Hit Spot , Kyle Rankin , Car Pass , Zane Rutledge , The End , Owe Scoping , Screen Shaping Rachel ,

Detailed text transcripts for TV channel - MSNBC - 20130330:23:06:00

Then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. kyle then sends these layers to visual effects artist zane rudlick to do his magic. it s three shots stitched together in a couple of subtle and clever ways. the original handheld shot up to a moment. then the final handheld shot at the end. but in between, we re seaming that together with the cheated handheld simulated in the computer. to create that shot, zane uses a process called roto scoping. it s painstaking tracing frame by frame rachel throughout her roll off the car hood. by isolating her in that way, we re able to drop her on to the other shot. but the devil is in the details. ....

Zane Rudlick , Kyle Rankin , Hit Spot , The End , Roto Scoping , Car Hood ,

Detailed text transcripts for TV channel - MSNBC - 20121225:21:07:00

The end. but in between, we re seaming that together with the cheated handheld simulated in the computer. to create that shot, zane uses a process called roto scoping. thts painstaking tracing frame by frame rachel throughout her roll off the car hood. and by isolating her in that way, we re able to drop her onto the other shot. but the devil is in the details. after viewing the effect, zane and kyle decide cindy s moves on top of the car aren t realistic enough. bouncing off of the hood, we didn t quite have the right movement on this arm. so we had to isolate her arm from another moment in time and build a fake arm and animate it. and drop it in. in its own little spot, so we could get the performance we needed. with the effect complete, kyle sends the finished video to the cast and crew. even though i knew what was ....

Zane Rutledge , Roto Scoping , The End , Thts Painstaking Tracing , Car Hood , Fake Arm , Kyle Rankin , Aren T ,

Detailed text transcripts for TV channel - MSNBC - 20121029:01:08:00

Effect takes hours to create. to do a digital effect you shoot basically several layers. from the top of the stairs i shot the road empty, the car pass, cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. kyle then sends these layers to visual effects artist zane rudlidge to do his magic. it s three shots stitched together in a couple of subtle and clever ways. the original handheld shot up to a moment. then the final handheld shot at the end. but in between, we re seaming that together with the cheated handheld simulated in the computer. to create that shot, zane uses a process called roto scoping. it s this painstaking frame by frame of rachel rolling off ....

Car Pass , Cindy Running , Kyle Rankin , Zane Rudlidge , Hit Spot , The End , Roto Scoping ,

Detailed text transcripts for TV channel - MSNBC - 20120213:02:06:00

Shot the road empty, the car pass, cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. kyle then sends these layers to visual effects artist zane ruddlick to do his magic. it s three shots stitched together in a couple of subtle and clever ways. the original handheld shot up to a moment. then the final handheld shot at the end. but in between, we re seaming that together with the cheated handheld simulated in the computer. to create that shot, zane uses a process called roto scoping. it s painstaking frame by frame rachel throughout her roll off the car hood. by isolating her in that way, we re able to drop her on to the other shot. but the devil is in the details. ....

Hit Spot , Car Pass , Cindy Running , Zane Ruddlick , Kyle Rankin , Roto Scoping , The End , Car Hood ,