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Black, yeah. pitch black? pitch — as dark as possible. this potential of cinema as a sensual experiencej and heightening that. was something that we, as a curatorial team, i were very interested in. when i came here and sawi the work here in the space, i was sort of really - overwhelmed by this very visceral experience - and that was something that i thought we should definitely share with our audience. - when the viewers head out from the building inside. official berlin film festival literature describes how liz rosenfeld transforms the planetarium into "a speculative future lexicon of fle...

Liz rosenfeld self—identifies as a radical queer, and also as an american—german jew. those factors inform the work. rosenfeld is ultimately working on a full—length feature — a queer coming—of—age story set in the aftermath of a climate catastrophe. for rosenfeld, the planetarium was exactly the right kind of venue for white sands crystal foxes. i wanted to take an apparatus, a structure, and try to think about how to subvert it and dismantle it into something else, like a different kind of social space. black, yeah. pitch black? pitch — as dark as possible. this potential of ci...

Rosenfeld is ultimately working on a full—length feature — a queer coming—of—age story set in the aftermath of a climate catastrophe. for rosenfeld, the planetarium was exactly the right kind of venue for white sands crystal foxes. i wanted to take an apparatus, a structure, and try to think about how to subvert it and dismantle it into something else, like a different kind of social space. black, yeah. pitch black? pitch — as dark as possible. this potential of cinema as a sensual experiencej and heightening that. was something that we, as a curatorial team, i were very interested i...