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CINEMASCOPE: REQUIEM FOR DREAMS - Newspaper - Vimarsana News

CINEMASCOPE: REQUIEM FOR DREAMS - Newspaper

The Argentine drama The Sleepwalkers opens to a powerful image. A mother jolting out of sleep, searching for her daughter. She scans the loo and different parts of the house, finally finding her in the living room: an impassive face, a naked body, blood lining her lower legs. The mother, Luisa (Erica Rivas), is worried about her teenage daughter, Ana (Ornella D’Elía), for two reasons: She’s recently started her period, and she’s a habitual sleepwalker. Luisa knows that this world is unsafe for young girls — especially for her child, who is not in control of her body, even when she’...

Source: dawn.com
'The Sleepwalkers' Has Intriguing Subplots but They Don't Produce a Unified Meaning - Vimarsana News

'The Sleepwalkers' Has Intriguing Subplots but They Don't Produce a Unified Meaning

'The Sleepwalkers' Has Intriguing Subplots but They Don't Produce a Unified Meaning The Argentinian drama is the story of a mother and a daughter, as well as the story of families. But the film tackles several subplots which do not have a central propulsive force. A still from 'The Sleepwalkers'. The 2019 Argentine drama The Sleepwalkers, now playing at the I-View World film festival, opens to a powerful image. A mother jolting out of sleep, searching for her daughter. She scans the loo and different parts of the house, finally finding her in the living room: an impassive face, a naked body...

Source: thewire.in