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Melody vs Cacophony: The art of creating cultural divide by TM Krishna & Madras Music Academy

Melody vs Cacophony: The art of creating cultural divide by TM Krishna & Madras Music Academy
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Andhra Pradesh , Tamil Nadu , Shyama Shastri , Palani Subramanya Pillai , Veena Dhanammal , Kanchipuram Naina Pillai , Srikantham Nagendra Shastry , Karakurichi Arunachalam , Arjun Kumar , Dasa Sahitya , T Brinda Ravikiran , Rajaratnam Pillai , Yendaro Mahanubhavulu , Parupalli Ramakrishnayya Panthulu , Chitravina Ravikiran , Ranjani Vasuki , Anil Srinivasan , Manmoondiah Pillai , Sangita Kalanidhi , Purandara Dasa , Vidwan Palghat Mani Iyer , Dakshinamurthy Pillai , Dushyanth Sridhar , Vishaka Hari , Muttuswami Dikshitar , Sikkil Gurucharan ,

Carnatic Music Goes From Raga To Rage

They all seem to forget that the Music Academy is as much an independent institution as T M Krishna is an individual musician. By N SATHIYA MOORTHY The ....

Tamil Nadu , Andhra Pradesh , Uttar Pradesh , Besant Nagar , Chinmayi Sripada , Aswati Tirunal , Palghat Mani , Rajaraja Chola , Sanjay Subramanyan , Arunachala Kavirayar , Chitra Veena Ravikiran , Sangeet Natak Akademi , Balamurali Krishna , Annamalai Chettiar , Lalgudi Jayaraman , Maharajapuram Viswanatha Iyer , Muthiah Chettiar , Sangeetha Kalanidhi , Bharata Natyam , Isai Sangam , Sindhikka Sonnavar Periyar , Thanjavur Vadivelu Pillai , Muthuswami Dikshidar , Sirkazhi Govindarajan , Oothukadu Venkatasubbiyer , Karaikudi Mani ,

Why the rich legacy of Carnatic music cannot be reduced to Brahmanical patriarchy

Why the rich legacy of Carnatic music cannot be reduced to Brahmanical patriarchy
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Andhra Pradesh , Tamil Nadu , Shyama Shastri , Marimutha Pillai , Palghat Mani Iyer , Muthuswami Dikshitar , Dushyanth Sridhar , Rajaratnam Pillai , Nicolas Malebranche , Sirkazhi Trinity , Muthu Thandavar , George Berkeley , Arunachala Kavi , Sangita Kalanidhi , Jawaharlal Nehru , Chitravina Ravikiran , Purandara Dasa , Music Academy , Sanatana Dharma , Mandolin Srinivas , Brahmin Sirkazhi Trinity ,

Creating divide in the musical world: A cultural crime

The Madras Music Academy's decision to award the Sangita Kalanidhi for the year 2024 to senior musician TM Krishna has sparked controversy across the ....

Tamil Nadu , Andhra Pradesh , Manmoondiah Pillai , Sangita Kalanidhi , Vidwan Palghat Ramprasad , Kanchipuram Naina Pillai , Karakurichi Arunachalam , Annavarapu Ramaswamy , Dasa Sahitya , Veena Dhanammal , T Brinda Ravikiran , Rajaratnam Pillai , Vidwan Palghat Mani Iyer , Muttuswami Dikshitar , Shyama Shastri , Purandara Dasa , Srikantham Nagendra Shastry , Vishaka Hari , Dwaram Venkata Swamy Naidu , Palani Subramanya Pillai , Anil Srinivasan , Yendaro Mahanubhavulu , Vidwan Ma Krishnaswamy , Chitravina Ravikiran , Dakshinamurthy Pillai , Palghat Mani Iyer ,

N Sathiya Moorthy: Carnatic Music Goes From Raga To Rage

They all seem to forget that the Music Academy is as much an independent institution as T M Krishna is an individual musician.
In drawing those red lines for the Academy management, they do not even seem to recognise that they too have crossed a red line themselves, points out N Sathiya Moorthy. ....

Besant Nagar , Tamil Nadu , Uttar Pradesh , Andhra Pradesh , Thanjavur Vadivelu Pillai , Karaikudi Mani , Papanasam Sivan , Pancharatna Kritis , Sangeet Natak Akademi , Henry Alfred Krishnapillai , Oothukadu Venkatasubbiyer , Sanjay Subramanyan , Lalgudi Jayaraman , Shyama Shastri , Annamalai Chettiar , Muthiah Chettiar , N Sathiya Moorthy , Sangeetha Kalanidhi , Maharajapuram Viswanatha Iyer , Rajaraja Chola , Vishaka Hari , Arunachala Kavirayar , Subramania Bharati , Umayalpuram Sivaraman , Balamurali Krishna , Maharaja Swati Tirunal ,