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One of his lighter films, but i feel really mixed about this because that central premise of 15—year—old boy and a 25—year—old woman — that just doesn't work. that central conceit does not work, even though there are lots of other things about the film that are terrific, particularlyjust the way it feels and the way you feel. like, i was very young in the time it was set, but you feel everything you see and read about the '70s is that you're totally back in that period. it's very vivid, but i agree it is set up as a romantic comedy but it's not romantic to me because i didn't really ...

You see and read about the �*70s, that you're totally back in that period. it's very vivid, but i agree. to me, it is set up as a romantic comedy but it's not romantic to me because i didn't really believe in the central relationship... yes — you can't believe in it. ..or didn't want it to happen. and this, to me, plays into what they call the stalker trope as well, you know, because this boy who is so persistent and he's constantly calling her, she's tells him that she's not at all interested. he persists, he persists — he even phones up and doesn't speak on the end of the phone, which ...

His lighterfilms. it's one of his lighter films, but i feel really mixed about this. 0k. because that central premise of 15—year—old boy, 25—year—old woman — it just doesn't work! that doesn't work! and that central conceit doesn't work, even though there are lots of other things about the film that are terrific, particularly just the way it feels and you feel like you're... i mean, i was very, very young in the time when it was set, but you feel, from everything you see and read about the �*70s, that you're totally back in that period. it's very vivid, but i agree. to me, it is se...

..or didn't want it to happen. and this, to me, plays into what they call the stalker trope as well, you know, because this boy who is so persistent and he's constantly calling her, she's telling him that she's not at all interested. he persists, he persists — he even phones up and doesn't speak on the end of the phone, which is kind of stalker behaviour. but often in these kind of male—skewed romantic comedies, that's presented as rather quaint and appealing and cute, whereas the reverse is rarely true in films, so much as i did enjoy all the things you talk about it, i did have a problem...

But it's a very light touch for paul thomas anderson — i think it's one of his lighter films. it's one of his lighter films, but i feel really mixed about this. 0k. because that central premise of 15—year—old boy, 25—year—old woman — it just doesn't work! that doesn't work! and that central conceit doesn't work, even though there are lots of other things about the film that are terrific, particularly just the way it feels and you feel like you're... i mean, i was very, very young in the time when it was set, but you feel, from everything you see and read about the �*70s, that you...