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Earners in hollywood in terms of studio executives. if you add the numbers together, that's almost half a billion dollars. a whole lot of money. fran drescher pointed this out. it falls on hollow ears that you're playing poverty, making that much money and saying the business is failing. >> you know, i agree with fran's point of view on that. we've broken a lot of stories this week about this, and the strike, our people, like you guys are out on the picket lines. the reality is the people who really control hollywood are wall street, and that is why disney over the past several months has fire...

Dima earnings and the residuals to get through the lean times and we don't have any more. so get through the lean times and we don't have any more.— don't have any more. so “ust for clarity the i don't have any more. so “ust for clarity the residuals _ don't have any more. so just for clarity the residuals mean - don't have any more. so just for| clarity the residuals mean height royalties for work you have already done. to look at the studios, they say the reasons i make these economic decisions is because of the difficult economic climate. 0bviou5ly that is not necessarily an argument ...

It's official: the Screen Actors Guild is joining the Writers Guild of America on the picket lines by the end of Thursday, the first time that has happened since 1960. That means much of Hollywood is effectively on strike, grinding the most influential film industry in the world to a halt. Ever since the WGA […]

The adviser match quiz nowart a? it's close. good morning, everyone we do begin with breaking news this morning. there is trouble in hollywood later tonight, thousands of writers on what are likely your favorite film and tv shows are going to vote whether to hit the picket line. contract negotiations have taken a two week hiatus between the writers guild of america and studio executives. the last guild strike lasted for 100 days in virtually shut down studio production. now the current contract expires in less than three weeks. cnn business and politics correspondent but also your cabbage is h...

One box office hit from 2001 onward, with the exception of american sniper in 2014, every single one of them is a franchise film. >> welcome to the caribbean, love. >> the studio executives started seeing that is the direction we want to go. >> they are not looking for a single project. they want the next franchise. they want something that is not going to give them one hit film, but give them a series of hit films. that they can spin off. >> i think what paul greengrass did in the bourn films was reimagine the way action films have been shot. he just push it is boundaries. >> can you open the...