Moira Roth in La Jolla, 1984. Photo: Max Kozloff. June 25, 2021 at 3:05pm
Pathbreaking feminist art historian and author Moira Roth, who taught at Mills College for more than forty years, died June 14 at the age of eighty-seven. The news was announced by Mills College president Elizabeth Hillman, who described Roth, who came to the college in 1985 and retired in 2017 as the Eugene E. Trefethen Professor of Contemporary Art History, as a “bright light.” Her essay collection
Difference/Indifference: Musings on Postmodernism, Marcel Duchamp, and John Cage, published in 1998 and investigating the construction of masculinity and conflicting identities, continues to be lauded for its engaging style and critical accessibility.
This piece first appeared in the Forward and is reprinted with permission.
Anna Halprin, the leading Jewish American dancer and choreographer and educator for generations of experimentalists in dance and theater, died May 24 at her home in Kentfield, in Marin County. She was 100. Her daughter, Daria Halprin Khalighi, cited old age as the cause of death.
Across the 80 years she taught and performed internationally and led workshops on her outdoor dance deck at her home in Marin County, Halprin was a pacesetter for her early disowning of the modern dance world – both its technical approach and its production system, and her abandonment of the proscenium stage. She challenged major dance orthodoxies and her radical dance theater events helped prefigure happenings, performance art and experimental theater works. Located at the boundaries between art and life, healing, ritual and performance, Halprin created participatory site-specific dances, situating art events in the midst of ur
Anna Halprin, the leading Jewish American dancer and choreographer and educator for generations of experimentalists in dance and theater, died May 24 at her home in Kentfield, California She was 100. Her daughter, Daria Halprin Khalighi, cited old age as the cause of death.
Across the 80 years she taught and performed internationally and led workshops on her outdoor dance deck at her home in Marin County, Halprin was a pacesetter for her early disowning of the modern dance world – both its technical approach and its production system, and her abandonment of the proscenium stage. She challenged major dance orthodoxies and her radical dance theater events helped prefigure happenings, performance art and experimental theater works. Located at the boundaries between art and life, healing, ritual and performance, Halprin created participatory site-specific dances, situating art events in the midst of urban life.