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Bijayani Satpathy's Met Museum choreographies moved between the past and the present

Bijayani Satpathy's Met Museum choreographies moved between the past and the present
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'Anvesana: Reflections in solitude' featured intriguing themes in myriad styles


Four exponents of four dance styles perform thought-provoking pieces at the Anvesana festival
It was a joy to watch stalwarts of four Indian classical dance styles, Bijayini Satpathy (Odissi), Methil Devika (Mohiniyattam), Rama Vaidyanathan (Bharatanatyam), and Aditi Mangaldas (Kathak) at ‘Anvesana: Reflections in Solitude’, a digital dance festival.
Bijayini Satpathy at ‘Anvesana - Reflections in Solitude’  
“It is fascinating to look into the minds of a creator. Does a physical lockdown mean a lockdown of spirit and creativity?” asked Lata Pada, artistic director, Sampradaya Dance Creations, Canada, which organised the festival. While providing opportunities for young artistes with virtual projects such as the one based on Maya Angelou’s autobiography,

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Dancers break the walls of solitude


Dancers break the walls of solitude
Updated:
Updated:
Four exponents of four classical dance styles perform thought-provoking pieces at the Anvesana festival
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Four exponents of four classical dance styles perform thought-provoking pieces at the Anvesana festival
It was a joy to watch stalwarts of four Indian classical dance styles, Bijayini Satpathy (Odissi), Methil Devika (Mohiniyattam), Rama Vaidyanathan (Bharatanatyam), and Aditi Mangaldas (Kathak) at ‘Anvesana: Reflections in Solitude’, a digital dance festival.
“It is fascinating to look into the minds of a creator. Does a physical lockdown mean a lockdown of spirit and creativity?” asked Lata Pada, artistic director, Sampradaya Dance Creations, Canada, which organised the festival. While providing opportunities for young artistes with virtual projects such as the one based on Maya Angelou’s autobiography,

India , Canada , Canadian , Rama-vaidyanathan-bharatanatyam , Aditi-mangaldas-kathak , Nazrul-geeti-aruno , Lata-pada , Pallavi-sukanta-kumar-kundu , Inee-singh , Aditi-mangaldas , Bindumalini-narayanaswamy , Bijayini-satpathy-odissi

The Towns Mirror Special: Around Town: Learn Improv


The Towns Mirror Special: Around Town: Learn Improv
The Towns Mirror Special: Around Town: Learn Improv
Bangalore Mirror Bureau / Updated: May 14, 2021, 06:00 IST
Sujay Saple’s
Rangashankara, you’re in luck. The Cooke
Town resident and director of performing arts is organising the Mad Hatters theatre acting and improv workshops (online) for children between the ages of eight and 12 years of age from May 24 to May 29.
improv is the art of creating something out of nothing, says Saple and at the workshops you will learn to create sketches with an idea that has been given to you. Most acting workshops guide you with a script … but in improv you are “thrown into the deep end and have to survive,” says Saple. “This leads to some amount of humour, display of quick wittedness, imagination, working off your fellow actor… You can add rules, limitations and games to make it more fun.”

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Bijayini's new solo explores the mind of a woman


Bijayini’s new solo explores the mind of a woman
Updated:
Updated:
May 06, 2021 22:36 IST
The Odissi exponent’s new work ‘Call of Dawn’ combines three musical pieces in raag Ahirbhairav
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The Odissi exponent’s new work ‘Call of Dawn’ combines three musical pieces in raag Ahirbhairav
“I do not want to be clever. It will be very simple, just a perfect turn is sufficient,” says Odissi exponent Bijayini Satpathy, when asked about conceptualising and choreographing her latest solo work, ‘Call of Dawn’. “I am not resorting to the typical movements of Odissi. It has a rich vocabulary. I am allowing my body to flow with the music.”

Odisha , Orissa , India , Sukanta-kumar-kundu , Adi-sankaracharya-ardhanariswara-stotram , Bindhumalini-narayanaswamy , Eshna-benegal , Bhubaneswar-mishra , Odissi-indian , Malavika-singh , Kelucharan-mohapatra , Protima-gauri-nrityagram