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© Sergio Lopez The semi-mirror skin offers a dual effect of reflection and transparency. At the outside the surrounding area is reflected in the mirrored surface making halo blend in with its environment up to the point where it becomes almost invisible. At a closer look, blurry views into the interior reveal the person occupying it. On the inside, a kaleidoscopic effect expands the contained space to a multiple of its own scale whilst maintaining views to the outside and passers-by. The person relaxing inside halo gets reflected too, imitating the sense of being part of a larger group - a f...

© French + Tye Text description provided by the architects. Bags: Inside Out at the V&A is the UK’s most comprehensive exhibition dedicated to the ultimate accessory. Curated by Dr. Lucia Savi and designed by Studio MUTT, with graphic design by Heather Whitbread at V&A Design Studio, and lighting by Studio ZNA, the exhibition features 300 items from designer handbags to despatch boxes, vanity cases to military rucksacks and explores our longstanding fascination with the bag. © French + Tye The design of the exhibition responds to the particular duality of bags - at once symbolic and inti...

© Johnny Umans Reinterpretation. This work evinces the duo's characteristic play with references; not only art-historical references, but also allusions to the meaning of a place. In doing so, they further develop their oeuvre of spatial installations that bring to the fore the site-specific qualities of a place. They achieve this through the introduction of elementary architectural and artistic typologies - such as the gate, the bridge, the dome, and in this case, the mill - which are interpreted in novel ways. Study for a Windmill is not only a tribute to Bruegel's mill, but also a referen...

Sections A 40 meters by 15 meters installation constructed from steel and wrapped with fishing nets weaves through the bamboo roof of the original structure giving shades to the people from the afternoon sun. The net is constantly moving by the wind, so the color red and orange are chosen to give a sense of an organic living creature. © Adisorn Ruangsiridecha One end of the installation is intentionally placed low enough to encourage people to touch and feel the texture the fishing net and think of how a simple material can create such a significant impact.

Image 4 of 80 from gallery of Burning Bridges Installation / KATARSIS ab. Photograph by Grigoriy Sokolinsky