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>> we had the luck to be able to rotate cast and every time we put somebody in, they were explosions. >> there was something very special about that setting, those characters that i never got tired of writing that show. >> sophisticated surveys, telephonic samplings, test audiences. all of those things help to separate winners from loosers and make mid course corrections. you can't cut all comedies from the same cookie cutters. all you can hope is every night turns out like thursday. >> yo, angela! >> next. >> how rude. >> quick, i'll give him that. >> all television said, oh, maybe sitcoms ar...

Telephonic samplings, test audiences. all of those help to separate winners from losers and make midcourse corrections. you can't cut all comedies from the same cookie cutters. all you can hope is every night turns out like thursday. >> yo, angela! >> next. >> how rude. >> quick, i'll give him that. >> all television and, oh, maybe sitcoms are alive again. and that's all that it took. it took one success. >> a few years from now, something new may tempt the people that pick what we see. it's a very safe guess what whatever gets hot for a season or two those who create good television comedy wi...

Explosions. >> ah! >> there was something very special about that setting, those characters that i never got tired of writing that show. >> sophisticated surveys, telephonic samplings, test audiences. all of those things help to separate winners from losers and make midcourse corrections, but you can't cut all comedies from the same cookie cutters. all you can hope is every night turns out like thursday. >> yo, angela! >> next. >> how rude. >> quick. i'll give them that. >> television said, oh, maybe sitcoms are alive again. and that's all that it took. it took one success. >> a few years from...

Those characters that i never got tired of writing that show. >> sophisticated surveys, telephonic samplings, test audiences. all of those things help to separate winners from losers and make midcourse corrections. you can't cut all comedies from the same cookie cutters. all you can hope is every night turns out like thursday. >> yo, angela! >> next. >> how rude. >> quick, i'll give him that. >> all television and, oh, maybe sitcoms are alive again. and that's all that it took. it took one success. >> a few years from now, something new may tempt the people that pick what we see. it's save wha...

The two of them ignited the show. that's what's drove the show for the first five years. >> what's the matter? >> i'm devastated. i need something brutal to blast me into sweet oblivion. make it a mimosa. >> we had the luck to be able to rotate cast and every time we put somebody in, they were explosions. >> there was something very special about that setting, those characters that i never got tired of writing that show. >> sophisticated surveys, telephonic samplings, test audiences. all of those help to separate winners from losers and make you can't cut all comedies from the same cookie cutt...