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See It Loud The History of Black Television

- they thought it was gonna make 700 million, but it actually made 1.3 billion. so it had a business impact, it had a community impact, it opened up doors. (dramatic music) (rocket thrusting) - it showed that these kinds of stories, looking at black speculative fiction, looking at afrofuturism and blacks in sci-fi, looking at horror was also highly profitable. - sci-fi is really a conversation about our humanity and man's relationship to technology and exploring other worlds. - it's really exciting to know that more black-centric science fiction is making its way onto the television screens, finally. - black people have always loved science fiction and have always loved fantasy. we just didn't know it. - when you think of how broad that landscape is,

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See It Loud The History of Black Television

to not include every single individual that is participating in the world, then it's a lie. - we have millions and millions of stories that need to be told. and us getting our due is literally just opening the gates for everyone else. (upbeat music) - no! (ray gun firing) - when science fiction started off as a genre in television, you saw a world that in which black people did not exist. so you saw a future that was void of black people. - there's fantasy element to sci-fi and so what you're saying is that when you imagine whatever world you're imagining, you don't want us there.

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See It Loud The History of Black Television

and it would've normalized an entire genre and an entire way of being, and an entire people. the fact that he's young and black doesn't make him a junky. - even though gina torres didn't make it to the "m.a.n.t.i.s." series, it really was just the beginning of her sort of sci-fi legacy. - i watched her for a decade. she's one of the people i like to say like, raised me on television. i watched her in "firefly" when i was in high school. and i was watching her on "xena", on "hercules". - i'm nebula. - i fit in science fiction because i didn't fit anywhere else. the fact that i'm ethnically ambiguous to a lot of creators out there. where i did fit was in sci-fi. i could be a standalone badass. - i don't think we notice when we're watching, what it means that this is a door that has never been opened, being opened.

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See It Loud The History of Black Television

robots. but these robots are very human-like and they stage an uprising. - i love that show because the hubris of wealthy humans. it put them in a situation where they get to run everything and then let's see the horror of that. i think that it is a perfect metaphor, in some ways, for what we're always living in. - we have thandiwe, jeffrey wright, tessa thompson, amazing, amazing, super talented black actors who have characters that are so complex and fully realized. they are not footnotes, they are not just sidekicks. to have so many black talent sharing the space and sharing the screen in a significant way was important, particularly in a genre like sci-fi

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See It Loud The History of Black Television

in most science fiction, and in this one, it was handled with an element of respect and certainly revere for a character that many people didn't expect to see on-screen. - she done messed with the wrong witch and she knows it. and now you know it. (tense droning) (glass cracks) - "black mirror" is this exciting anthology series which pulls on both horror and science fiction to create these stories in the not-so-far-off future. (computer blipping) - when i think of "black mirror", i think of really incredible performances by daniel kaluuya, letitia wright, gugu mbatha-raw, michaela coel. "black mirror" wasn't afraid to put black actors into the spotlight and to show that they could carry a sci-fi or a horror episode and everyone would love it. - in one of the episodes within that series, "striking vipers", unbelievable.

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See It Loud The History of Black Television

that we're still having to break ground in spaces where we were always valid. - when i think about the future of sci-fi, i think about a lot of these amazing black sci-fi writers who tell stories in a different way about the future how it's really gonna change the narrative of what the future could look like. - it's really exciting to see these celebrated books that are part of the afrofuturist canon are being adapted into screens big and small. octavia butler's books are in the canon of sci-fi. people all over the world are studying her works and now they're being adapted into television. they've been adapted into graphic novels and now we're gonna see them in tv. - a lot of my early writing had to do with my own feelings of powerlessness. there are no real walls around science fiction.

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See It Loud The History of Black Television

over a billion dollars at the box office. so not only did it succeed, "black panther" is the most successful superhero. - kids need to be able to see themselves represented as the main character in animation that they're watching. these images become ingrained in how we form our opinions about what we're capable of. - because if we see the black characters on-screen now, that's going to inspire a whole new generation of creators to come in and produce fantastic content that's going to highlight black stories, black life in horror, in sci-fi, and far beyond. detect this: living with hiv, i learned i can stay undetectable with fewer medicines.

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See It Loud The History of Black Television

(upbeat music) - unlike sci-fi, horror actually did embrace black characters a lot more frequently, but they were often the first to die. (dripping water) (tense music) but then we see hbo's "true blood" come out and it was just a beacon of representation left and right, and particularly for black characters. - lafayette, gay, black character in a fantasy setting, i mean, come on, that's like my catnip. to see lafayette be gay and black, and not die was actually a pretty ground breaking sight. it was actually kind of revolutionary. - and we saw rutina wesley. - ain't you ashamed of yourself? - what'd you just say to me? - i said any particular brand of cognac? - their characters that started off in ways that could have totally been sidelined and yet the show embraced them, bringing them further and further into the narrative. - "true blood" allowed the marginalization of vampires

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See It Loud The History of Black Television

as michael burnham, at that time, i was a first officer. so i was equal parts surprised and not surprised because there was a ton of backlash and negativity about me being a black woman. i did not expect it from people who claimed to dearly love the franchise, because it is embedded in the heart of the franchise itself, diversity and inclusivity. - it's so incredibly ground breaking and also bizarre that it took up until now for there to be the first lead role of a black woman in sci-fi with sonequa martin-green taking up that position on "star trek: discovery". i am not the person who celebrates the first black anything in 2021. i be like why did it take so long? why? ultimately, she deserves her flowers, don't get me wrong, but i'm always just irritated by the fact

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See It Loud The History of Black Television

but they're also realizing that wow, these traumas are the basis of horror that people have experienced. (sinister music) - "them" was about this family that moved into this neighborhood which was predominantly white. did not want them there. and tried their damndest to drive them crazy to the point that they would actually leave. now how many of y'all been in that situation? where you've been the black person in a predominantly white environment and they want you out? (tires squealing) - they're gaining on us! - take this left up ahead! - i really enjoyed "lovecraft country". i have so much respect for it because it was weaving in that historical context with the imaginative aspect of sci-fi. i just thought it was brilliant. - you don't get to see enough programs

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