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Here is Philadelphia and the landscape of America as a marching line of geometric forms, full of color, full of darkness, hard-edged, freighted with anger and possibility. And here is Philadelphia as a place that does not exist, except within the imagination of the artist. And here is Philadelphia as ruins, as circles of energy reconstituted by memory, as a haven for the down-and-out, as ...
Reply Various photographs on display at the Michener Art Museum. (Peter Blanchard/Patch) DOYLESTOWN, PA — The Michener Art Museum has reopened to the public with a new photography exhibition featuring artists in the Delaware Valley region. On view through August 15, Through the Lens: Modern Photography in the Delaware Valley explores nearly 70 years of artistic experimentations with photographic processes and subject matter by local and regional artists. The exhibition is organized through the themes of form, figure, landscape, and community and social and political activism, highlighting more than 100 photographs by nearly 40 artists. Subscribe Over the course of a month in 1998, photographer Edmund Eckstein was granted access to Doylestown Hospital to produce a photographic series commissioned by the Michener Art Museum.
Michener Art Museum reopens with reinstalled galleries and brand new exhibition David Graham (b. 1952), Painting Christinas, Penndel, Pennsylvania, 1984. Dye coupler print on paper, 18 ¼ x 23. Michener Art Museum Collection. DOYLESTOWN, PA .-The Michener Art Museum will reopen to the public February 5, 2021 with the new exhibition Through the Lens: Modern Photography in the Delaware Valley. On view through August 15, 2021, this major exhibition is curated by the Micheners Curator of American Art Laura Turner Igoe, PhD, and Curatorial Assistant Tara Kaufman, MA. Through the Lens explores nearly 70 years of artistic experimentations with photographic processes and subject matter by artists in the Delaware Valley region.
Originally published on January 29, 2021 7:16 pm Tim Portlock is a recipient of the 2020 Great Rivers Biennial Arts Award Program, which highlights emerging and mid-career artists in the St. Louis region. The honor comes with a $20,000 stipend and exhibit at the Contemporary Art Museum St. Louis. His “Nickels from Heaven” show consists of huge digital installations at the museum. They carry a dystopian aura, but “the work is not science fiction or futuristic,” Portlock explained. “It’s actually describing what's happening now.” Abandoned, neglected and torn-down buildings are contrasted with distinct skyscrapers, condos and topiary trees on rooftops. Many local sites are portrayed in the installations, such as the Lewis & Clark Tower landmark, reiterating how the region hasn’t been immune from the woes of gentrification.
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