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That we want and we have earned our economic rights. alan sepinwall: in the 70s, we can talk about the women s movement. but in, in the 80s, you ve got reagan. reagan: government is not the solution to our problem; government is the problem. alan sepinwall: and you ve got family ties with alex p. keaton as like the ultimate reagan fanboy. kid: what s taxes? alex: a tax is a terrible, hairy liberal monster, the only thing that can stop the terrible tax monster is a republican. michael gross: america was taking a conservative turn in a big way. emily vanderwerff: and networks were chasing that kind of high gloss, aspirational fantasy. aramide: and you see that reflected in something like a fresh prince of bel air. will: yo, this place is huge man, next time i go to my room, i ll take some breadcrumbs. tim reid: a young kid thrown into wealth. ....
A fresh prince of bel air. will: yo, this place is huge man, next time i go to my room, i ll take some breadcrumbs. tim reid: a young kid thrown into wealth. and it s it s great bed for comedy and conflict. uncle phil: we promised your mother that you are here to work hard, straighten out, and learn some good old fashioned american values. hilary: dad, i need $300 dollars. alice leppert: so, the 80s were really associated with excess and with wealth. but roseanne would, upend this, fantasy vision of upper middle class life. darlene: wait a minute, my cereal at home is the name brand. roseanne: no, it s just the name brand box, and i ve been refilling it with the cheap stuff. since 1985. tom werner: one of the things that is extraordinary about roseanne, is that in many ways it mirrors the honeymooners. ....