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come with us. we re heading for the valley. going where? did you say? mexico. all the way down. you going all the way to mexico tonight in this old heap of junk? reckon the town will get along without us tli monday? oh, i reckon. i was young enough to bounce that far, i d go with you. the last picture show was a movie that, however old i was when i saw it, i said, oh my god this movie is about me. this movie is about us. this movie is about america as we are right now, here in the mid- 70s, not as we were back in the early 1950s. do you think the last picture show is a john ford type movie? no. i think it s a peter bogdanovich type movie. peter bogdanovic loved movies, had a sense of movie history, but had a very strong sensibility. he spoke to a new generation, both visually and emotionally. orson welles read the script. and i said, i d like to get that depth of feel, everything being sharp, the way you did in citizen kane, touch of e ....
come with us. we re heading for the valley. going where? mexico. all the way down. you going all the way to mexico tonight in this heap of junk? reckon the town will get along without is till monday? oh, i reckon. i was young enough to bounce that far, i d go with you. the last picture show was a movie that, however old i was when i saw it, i said, oh my god this movie is about me. this movie is about us. this movie is about america as we are right now, here in the mid- 70s, not as we were back in the early 1950s. do you think the last picture show is a john ford type movie? no. i think it s a peter bogdanovich type movie. peter bogdanovic loved movies, had a sense of movie history, but had a very strong sensibility. he spoke to a new generation, both visually and emotionally. orson welles read the script. and i said, i d like to get that depth of feel, everything being sharp the way you did in citizen kane, touch of evil. he said ....
Horror. when the deer hunter came out, it really shocked people. so much of that movie is about the deadening of life in the process of surviving life. some people thought that that film was too difficult, too raw, but i felt that realism was necessary for people to understand what happened. would you go if you had the chance again? coming home opens with veterans around a pool table. it was so important to ashby that he communicate the reality of the veteran that he simply said go, improvise. when we come back and they say what we did was a waste, what happened was a waste, some of us can t live with it. and it completely legitimatizes everything to come. what are you doing here? why aren t you on the golf ....
It s so powerful and strong. you have ideas about why they re fighting and what they expect. and what they find is just horror. when the deer hunter came out, it really shocked people. so much of that movie is about the deadening of life in the process of surviving life. some people thought that that film was too difficult, too raw, but i felt that realism was necessary for people to understand what happened. would you go if you had the chance again? coming home opens with veterans around a pool table. it was so important to ashby that he communicate the reality of the veteran that he simply said go, improvise. what happened to us was a waste. and it completely legitimatizes everything to come. what are you doing here? why aren t you on the golf course teeing up balls, doing something you re good at? ....
when the deerhunter came out, it really shocked people. so much of that movie is about the deadening of life in the process of surviving life. some people thought that that film was too difficult, too raw, but i felt that realism was necessary for people to understand what happened. would you go if you had the chance again? coming home opens with veterans around a pool table. it was so important to ashby that he communicate the reality of the veteran that he simply said go. improvise. we come back and say what we did was a waste, what happened to us was a waste. some of us can t live with it. and it completely legitimizes ....