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Tony's pilot screen play for "miami vice,” it was not that. very much the approach was, okay, they call this a television series. but we're going to make one-hour movies every single week. >> here we go. stand by. >> action. >> police! >> you were just describing the show as sort of a new wave cop show. >> yeah, it's a cop show for the '80s. we use a lot of mtv images and rock music to help describe the mood and feeling of our show. >> in a lot of ways you don't get "miami vice" without mtv because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. >>...

>> yeah, it's a cop show for the '80s. i mean, we use a lot of mtv images and rock music to help describe the mood and feeling of our show. >> in a lot of ways, you don't get "miami vice" without mtv, because in a lot of ways, "miami vice" was a long video. the music was such a big part of that show. >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. >> and i can feel it coming in the air tonight. >> not only was it not afraid to let long scenes play out, it would drag -- a car going from point "a" to point "...

Because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. ♪ >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> it was only not afraid to let long scenes play out. it would drag -- a car going from point "a" to point "b" could be a four-minute phil collins song, you know. and it was. ♪ hold on ♪ >> being able to take a television series like "miami vice" and let's really kind of rock and roll with this until some...

♪ >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> it was only not afraid to let long scenes play out. it would drag -- a car going from point "a" to point "b" could be a four-minute phil collins song, you know. and it was. ♪ hold on ♪ >> being able to take a television series like "miami vice" and let's really kind of rock and roll with this until somebody says, stop, are you guys crazy, you can't do that. and nobody ever did. >> freeze! police! ♪ ...

We use a lot of mtv images and rock music to help describe the mood and feeling of our show. >> in a lot of ways you don't get "miami vice" without mtv because in a lot of ways "miami vice" was a long video. the music was such a big part of that show. ♪ >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the air tonight ♪ >> it was only not afraid to let long scenes play out. it would drag -- a car going from point "a" to point "b" could be a four-minute phil collins song, you k...