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where s my sandwich! we all need a reason to get up in the morning. he made us do it! it was frank! the american office is iconic. how many people can i fire? none. you re picking a health care plan. okay. we ll table that for the time being. terrible bosses. you ve got spunk. well i hate spunk. terrible workmates. are you kidding? do these not bend the [ bleep ] back? no. everybody trying to get along. one problem with hiring women is that they re frail and breakable. is it possible you re thinking about light bulbs or your hip? hilarious. what do you say to that? whoa. ow! let s talk about earning a living. yeah. have you ever done it? no, but i could. ha! lucille ball with the chocolates, always funny. if one piece of candy gets past you and into the packing room unwrapped, you re fired. all the writers needed to say was lucy and a conveyor belt, you re good. some of the most memorable episodes of i lov ....
good morning, wallace & mcquaid. listen to the way she does that, sam. that s why they made her the president. so angela is an advertising executive on who s the boss? elyse keaton on family ties is an architect. they have these really professional, upscale careers rather than just jobs. those are really powerful fantasies for women in the 80s. as a travel agent, i like to think that i m a little cog in a big machine. a very little cog. in 1986, linda bloodworth-thomason went to cbs and she said, i just want to say what all women are really about, opinionated and successful when given opportunities. linda bloodworth-thomason wrote for m.a.s.h., rhoda, then created an all-female version of the workplace comedy that we had not seen before. i m going to do what i always ....
Sauce i have ever tasted? it s soup, angela. domestic labor becomes recognized as such when men perform it. whereas when women perform it, it s just, you know, the duties of love that you undertake as a wife and a mother. tony, you are the housekeeper and this is part of the house. now, the private chamber may be mine, but the dust is yours. who s the boss was a huge hit. it was a groundbreaking show in that the woman is the one who s really wearing the pants. good morning, wallace & mcquaid. listen to the way she does that, sam. that s why they made her the president. so angela is an advertising executive on who s the boss? elyse keaton on family ties is an architect. they have these really professional, upscale careers rather than just jobs. those are really powerful fantasies for women in the 80s. as a travel agent, i like to think that i m a little cog in a big machine. a very little cog. ....
Mine, but the dust is yours. who s the boss was a huge hit. it was a groundbreaking show in that the woman is the one who s really wearing the pants. morning, wallace & mcquaid. listen to the way she does that, sam. that s why they made her the president. so angela is an advertising executive on who s the boss? elyse keaton on family ties is an architect. they have knees really professional upscale careers rather than just jobs. those are really powerful fantasies for women in the 80s. as a travel agent, i like to think i m a little cog in a big machine. a very little cog. in 1986 linda bloodworth-thomason went to cbs and she said i just want to say what all women are really about, opinionated and successful when given opportunities. linda bloodworth-thomason wrote for mash, rhoda, and then created an all-female ....
it s soup, angela. domestic labor becomes recognized as such when men perform it. whereas when women perform it it s just, you know, the duties of love that you undertake as a wife and a mother. tony, you are the housekeeper and this is part of the house. now, the private chamber may be mine, but the dust is yours. who s the boss was a huge hit. it was a groundbreaking show in that the woman is the one who s really wearing the pants. morning, wallace & mcquaid. listen to the way she does that, sam. that s why they made her the president. so angela is an advertising executive on who s the boss? elyse keaton on family ties is an architect. they have knees really professional upscale careers rather than just jobs. those are really powerful fantasies for women in the 80s. as a travel agent, i like to think i m a little cog in a big machine. a very little cog. ....