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Detailed text transcripts for TV channel - DW - 20171230:02:36:00

Want is on the way to work for her but he was under exclusive contract with columbia pictures still she managed to work out a deal with the studio john louis designs were legendary rita hayworth in the one nine hundred forty six film gilda. wore the gown worn by marilyn monroe at a nine hundred sixty two birthday celebration for president john f. kennedy. money that the cons milan had very clear ideas and she knew that john we understood her it was pretty amazing as she wasn t easy to work with she knew exactly what she wanted her performance to look like and that s because i would have liked to have met my lena but as an artist i think she made life extremely difficult for does. miners and others who worked with her are designed that it s just. a. push on the way made each fish part of the creative process and together they design costumes that made her an icon. ....

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Detailed text transcripts for TV channel - DW - 20171230:02:45:00

For. oh i ve got goosebumps. looks like if this. yeah right this is what it s for. and this time she wanted to work with light and play around with the. light was quite important to her for example the way her face was lit it all makes sense ties in with. the noise of the stage lighting planes that we have here in the collection were very sophisticated. as they outlined the various effects to be achieved with each song in each costume so that they smuggled. in all this there is a list of things to pay particular attention to and things to avoid. and which ....

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Detailed text transcripts for TV channel - DW - 20171230:02:33:00

Marlena everything was perfect every gesture the way she positioned her fingers. she was an ultra glamorous figure. but it was more than that she was radiant like a supernova that suddenly appear that is her legacy it s like mice in porcelain or ten carat diamond this is not the amount. that. some of the more breathtaking costume designs are stored here at the marlena detention archive in berlin. was now in her early fifty s her hollywood glory days were over but she still long ....

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Detailed text transcripts for TV channel - DW - 20171230:02:48:00

Interactive. don t worry about the technical side all might be electrical contact with my forte the cable will run to a small place on the sole of my shoe the contact plate on the stage floor will be powered from the mains. to the very good third for the floor one of those something big and wall and glowing. that way i can turn the lighting on and off at will this will puzzle people and that s good they won t know if they imagine the light or not. she s going to step onto this kind of metal plate and she s going to short the secrets are going to look closer and there s a good glow that s her idea but it s incredibly dangerous this is. this it s already and yellow they re literally solution to everything there has to be like. robots because we would like to ensure that we are now working on the base stress ....

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Detailed text transcripts for TV channel - DW - 20171230:02:42:00

And some would be blown behind her back when that happened she looked like a greek goddess. only i just was on the lie detector always underlined those things that she considered important as she wanted to know for example whether a tight skirt would cause problems. of course there wasn t any spandex back then maybe double softly soft schools. this is what the souffle weave looks like the work threads don t go all the way through their twisted and secured by a weft insertion. is a bit more flexible than say she fun but you really can t stretch it so the material would tear if she d bend over too far for a boy or raise an arm too high and it s a skill. to do this in ....

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