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Tales of Terror: Haunted Apartment (2005) in cines com

Tales of Terror: Haunted Apartment (2005) in cines com
cines.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cines.com Daily Mail and Mail on Sunday newspapers.

Labyrinth of Cinema Review: Nobuhiko Obayashi s Epic Statement About the Horror of War and the Magic of Movies

Labyrinth of Cinema Film Review: Hausu Director Nobuhiko Obayashi Takes a Bow with Head-Spinning History Lesson

Labyrinth of Cinema Film Review: Hausu Director Nobuhiko Obayashi Takes a Bow with Head-Spinning History Lesson
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Labyrinth of Cinema review – cult Japanese director s epic blitz of pop-culture hyperactivity

Nobuhiko Ôbayashi is the Japanese film-maker who directed the cult 1977 horror Hausu, or House, and in his long and prolific career also specialised in TV ads starring American movie actors for the domestic market (satirised in Sofia Coppola’s Lost in Translation). Just before his death last year, at the age of 82, he completed this film, his valediction to cinema, to Japan and to life: an epic blitz of pop-culture hyperactivity: baffling, surreal, tragicomic, then simply tragic. At first, it looks as if it is going to be a sentimental lump-in-the-throat elegy to cinema-going’s golden age. But then it takes us to the heart of Japanese darkness: the second world war and the atomic bomb.

Labyrinth of Cinema review – cult Japanese director s epic blitz of pop-culture hyperactivity | Movies

Last modified on Mon 26 Apr 2021 07.02 EDT Nobuhiko Ôbayashi is the Japanese film-maker who directed the cult 1977 horror Hausu, or House, and in his long and prolific career also specialised in TV ads starring American movie actors for the domestic market (satirised in Sofia Coppola’s Lost in Translation). Just before his death last year, at the age of 82, he completed this film, his valediction to cinema, to Japan and to life: an epic blitz of pop-culture hyperactivity: baffling, surreal, tragicomic, then simply tragic. At first, it looks as if it is going to be a sentimental lump-in-the-throat elegy to cinema-going’s golden age. But then it takes us to the heart of Japanese darkness: the second world war and the atomic bomb.

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