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In 1968, the British pop singer Dusty Springfield signed to Atlantic Records and began working with the producer Jerry Wexler on “Dusty in Memphis,” her fifth solo album and the first she made in the United States. Springfield, who was already a star in the U.K., wore her hair in a voluminous blond bouffant, wreathed her eyes in heavy mascara, and sang in a tender mezzo-soprano. Her voice was effortless, yet there was something warm and vulnerable at the center of each note. “Dusty in Memphis” is now considered a creative apex for “blue-eyed soul” the teasing sobriquet, coined in the nineteen-sixties, given to Black music performed by white singers but sales of the album were measly at first, and Springfield made just one other record for Atlantic, “A Brand New Me,” in 1970, before leaving the label. A new compilation, “Dusty Springfield: The Complete Atlantic Singles 1968-1971,” collects the original, mono mixes of all twenty-fou ....

Dusty Springfield , Tender Sounds , Complete Atlantic Singles , தூசி நிறைந்த ஸ்பிரிங்ஃபீல்ட் , ஒப்பந்தம் ஒலிகள் , முழுமை அட்லாண்டிக் ஒற்றையர் ,