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Struggling theatre practitioners feel abandoned by gove...


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When the first lockdown was announced in March last year, theatres across the country went dark. A number of theatres have not reopened. Even before lockdown, theatres were struggling for audiences. Now their fate hangs in the balance.
“Gatherings – in the case of theatre audiences – are deemed to be super-spreaders of the virus, so festivals have been cancelled, theatres shut and curfews have restricted people going out at night, making theatre unviable,” says playwright and cultural activist Mike van Graan, who is part of the Sustaining Theatre and Dance (STAND) Foundation that started in September, to raise funds for projects that will provide some form of income for people in the sector. ....

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'What is the importance of art when a country is burn...


2020 was rough, there’s no denying it. And with the beginnings of 2021 faring only vaguely (if at all) better, it’s increasingly difficult to come to terms with this pivotal moment in time. 
One of the industries that continues to feel the brunt of the Covid-19 effects is, of course, the performance arts, whose livelihood depends largely on crowds of people coming to watch performers do their thing. 
On the weekend of 19-21 February, South African theatre-makers and dancers, gathering in Stellenbosch for the Take-a-STAND Dialogues, engaged in a series of discussions about the present and future status of theatre and dance in South Africa. Presented by SU Woordfees and STAND (Sustaining Theatre and Dance) foundation, the dialogues were an attempt to rekindle, at least partly, a community that has been splintered in the last year.  ....

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