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An imagined recreation of a women's music conference in Calcutta in 1954


From the collection of Dinkar Manjeshwar.
International Women’s Day has been marked in India on March 8 for several years, but it is only in the recent past that the world of Hindustani music seems to have joined in these celebrations. Sadly, much of this has to do with staging large, sponsored events, no different from any other event in the year, rather than addressing issues related specifically to women in general and women artiste in particular.
There is a perfunctory inclusion of women performers in concerts held as part of these events, and in many cases, all the members of the ensemble are women. While the latter is a welcome change, I wonder why this should be restricted only to concerts held on this day. All-women ensembles have been created recently, but should not necessarily be put together only for International Women’s Day. ....

Madhya Pradesh , West Bengal , Uttar Pradesh , Kalyani Roy , Susheela Tembe , Sampurna Malkauns , Kausalya Manjeshwar , Dipti Roy , Ramkrishna Paramhamsa , Manick Das , Malavika Kanan , Malavika Roy , Sisirkana Dhar Chowdhury , Saradamoni Devi , Prabha Atre , Satyabrata Chattopadhyay , Meera Chatterjee , Dinkar Manjeshwar , Sharan Rani , Sisirkana Dey , Puriya Dhanashree , Ramkrishna Mission , International Women Day , International Women , All India Women , Music Conference ,

The sacred and thesublime - The Hindu


The sacred and thesublime
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The 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh brought together musicians from all gharanas
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The 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh brought together musicians from all gharanas
How does one describe the sublime? It is the coming together of the aesthetic and ethical, it is the judicious combination of sensibility and representation, a feeling that releases the perceiver from the constraints of human condition to list a few. The 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh, an annual festival of music hosted by Kala Academy, Goa, had many lofty moments that took the listener beyond form, beauty, feeling and rhetoric. Music rose above the ‘visible’ taking the listener to a noble and profound state of ....

Madhya Pradesh , Uttar Pradesh , Sangeet Samaroh , Ojas Adhiya , Cvenkatesh Kumar , Vishwanath Kanhere , Gandhar Deshpande , Prachi Jathar , Ravi Shankar , Kashyap Bandhus , Mallikarjun Mansur , Dattaraj Surlekar , Shalmalee Joshi , Sajan Mishra , Ram Deshpande , Shalmalee Joshi Yamani Bilaval , Malavika Kanan , Saskia Rao , Arvindkumar Azad , Gangubai Hangal , Sudanshu Kulkarni , Ajoy Chakrabarty , Anol Chatterjee , Puriya Dhanashri , Dayanidesh Kosambe , Shubhendra Rao ,

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Puriya Dhanashree , புரிய தனஸ்ரீ ,