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Four new reissues explore the acclaimed Japanese producer’s work c. 1984-1985, as he set aside techno-pop in favor of spacious, imaginative ambient music.
After the dissolution of Japanese techno-pop pioneers Yellow Magic Orchestra following 1983’s
Service (their final album until the one-off reunion
Technodon a decade later), each of its members were eager to go their own way. Reluctant to call it a breakup, they opted for the softer term “fan out,” though creative differences had created such friction between the trio that it was difficult for them to keep working together. Beleaguered from staring into the spotlight of pop stardom, Haruomi Hosono let out a sigh of relief. “Our music happened to hit the chart and I had an awful time. I was too famous to walk around,” he told the Red Bull Music Academy in 2014. “As the dust settled, I was liberated at last. I love to be free.” ....

Arai Tadayoshi , Maceo Parker , Miharu Koshi , Yukihiro Takahashi , Haruomi Hosono , Sohichiro Suzuki , James Brown , Red Bull Music Academy , Yellow Magic Orchestra , Pizzicato Five , World Standard , Video Game Music , Endless Talking , Avant Garde , Paradise View , Amakawa Village , Mercuric Dance , மசேோ பார்க்கர் , மீஹறு கோஷி , ஜேம்ஸ் பழுப்பு , சிவப்பு காளை இசை கலைக்கழகம் , மஞ்சள் மந்திரம் ஆர்கெஸ்ட்ரா , உலகம் தரநிலை , காணொளி விளையாட்டு இசை , முடிவற்றது பேசுகிறது , அவந்த் கார்ட் ,