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Ramakrishnan Murthy turns Bilahari exposition enjoyable

Ramakrishnan Murthy turns Bilahari exposition enjoyable
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Ramakrishnan-murthy , Shriram-kumar , Delhi-sairam , ராமகிருஷ்ணன்-மூர்த்தி , ஸ்ரீராம்-குமார் , டெல்ஹி-சாய்ரம் ,

Svatantra Festival pays tribute to T.N. Krishnan

The ongoing Svatantra 2021 festival is dedicated to maestro T.N. Krishnan
The ARTery is dedicating its recently inaugurated Svatantra 2021 festival to the late violinist Prof. T.N. Krishnan. Professionally recorded, hour-long concerts by several recognised artistes will be released every fortnight for about 15 Sundays, culminating with Krishnan’s first death anniversary in November.
Ramanathan Iyer, who has curated the series, says, “ each performance will feature one major piece – it could be a kriti, a varnam, a pallavi. The pieces are painstakingly selected to showcase as much variety as possible across banis, composers, ragas, etc. They will be presented by vocal and instrumental artistes, representing different styles, with careful attention paid to ensure that not only are the compositions highlighted but the beauty of the instruments as well.”

Royapettah , Tamil-nadu , India , Thiruvananthapuram , Kerala , Charumathi-raghuraman , Anil-srinivasan , Jayanthi-kumaresh , Ramanathan-iyer , Ananthar-krishnan , Ramakrishnan-murthy , Chandrasekara-sharma

Ramakrishnan Murthy packs enough surprises

Ramakrishnan Murthy packs enough surprises
Updated:
Updated:
Ramakrishnan Murthy’s concert was different, yet beautiful
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Ramakrishna Murthy performing at Bharatiya Vidya Bhavan’s annual music festival in Chennai | Photo Credit:
K V Srinivasan
Ramakrishnan Murthy’s concert was different, yet beautiful
Ramakrishnan Murthy did not allow any room for the audience to wonder which raga would be taken as the central piece of his concert — that was clear to everyone quite early on. When the opening phrases of raga Sri escaped his lips, the only question was about the composition.
The vocalist opened the (well-attended) concert with the first verse of the Aandal pasuram, ‘Marghazhi thingal,’ in Nattai. The pasuram followed a brief but beautiful alapana, which foretold the unfolding of a lovely concert. The line ‘Narayanane Namakke’ was selected for niraval, which was a detailed affair, but just as the audience was looking for a treat of swaras, the singer jumped into the second pasuram, ‘Vayyathu Vazhveerghal’, in Gowlai and chose the words ‘Mayittu Ezhudhom’ to land the swaras. Niraval in Nattai, swaras in Gowlai! The only slight exception one could take was his not singing swaras in the slower gait — which would have seen Gowlai in full blossom.

Varali , Uttaranchal , India , Aadum-chidambaramo , Sindhu-bhairavi , Hamir-kalyani , Ongi-ulagalandha , Ramakrishnan-murthy , Narayanane-namakke , Swati-tirunal-narasimha-mamava , Mayittu-ezhudhom , Vittal-rangan