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Early in “Deep Impact” we learn that a comet “the size of Mt. Everest” is on a collision course for Earth. There would seem to be two possible outcomes: (1) The comet hits Earth, destroying it, or (2) the comet does not hit Earth, in which case humanity is spared but the audience is denied the sight of lots of special effects. In the first scenario you don t get the obligatory happy ending, and in the second everyone leaves feeling cheated.
Most doomsday movies avoid this choice by prudently choosing less than apocalyptic events. A volcano, a twister or a tidal wave can supply lots of terrifying special effects and still leave a lot of people standing. But “Deep Impact” seems to back itself into a corner, and maybe that s why the producers hired not one but two of the brightest writers in Hollywood to work on the project: Bruce Joel Rubin (“Ghost”) and Michael Tolkin (“The Player”). Together, they ve figured out how to have their cake and eat it, too. ....

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