Who needs to grade? Shooting a feature by getting it right in-camera
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A still from "The Maestro". Image: (c) Titania Pictures 2021.
Here's how one filmmaker eschewed the use of Log in favour of lighting to get the result he wanted in camera, by using techniques that were once the preserve of film shooting. This is the making of
I was perhaps amongst the last generation to study film-making with a syllabus that was totally based around analogue film. At the London International Film School in the late 80’s, we never touched a video camera. From day one, we were taught how to work with film cameras, Nagra sound recorders, and film editing benches.