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Academe shouldn t automatically call languages other than English foreign (opinion)
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Review: The Golden Globes - Honi Soit
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With this in mind, in LatinAmerican Post we make a small review of this film,
and we tell you some details of the script, production and direction that position it as one of the best films that 2020 left us.
Nomadland: a social problem It is a pilgrimage for pain and healing [.] a difficult and beautiful journey, said Chloé Zhao, in statements collected by El Periódico, just after
Nomadland , distributed by Searchlight and Hulu, was announced
as the best Dramatic Movie of the Year at the Golden Globes.
Nomadland had just won the Venice and Toronto Festivals with such strong acclaim that a Golden Globes triumph seemed inevitable, and so many experts on the Oscars think.
While the 2021 season is mustering its best âshow must go onâ spirit, painting on its smile and stumbling out on to the stage, a deeper, post-Covid existential crisis is on the cards. What is the point of awards, after all? Are they about recognising artistic excellence and the importance of culture? Or are they about showbiz glitz and beautiful people? How much impact do they have? And who gets to do the judging, anyway? Covid has given the whole awards game a shake-up, and maybe thatâs what it needed.
For the time being at least, the weirdness has its silver linings. Not least the fact that 2021 is shaping up to be an exceptional year in terms of diversity and representation. Look at the Oscar nominations, for example: two women nominated for best director for the first time (Chloé Zhao for Nomadland; Emerald Fennell for Promising Young Woman), the first Asian-American best actor nominee (Steven Yeun for Minari), the first Muslim best actor nominee (Riz Ahmed for
For Blockbuster Specials It s Been TV Ratings Winter Of Our Discontent
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