East meets West: Synthesis of style in 19th-century Russian organ music
Pedal coupler The 8′ Flauto traverso stop had a so-called “espressivo” effect, i.e., its volume varied with the pressure on the key. Odoyevsky often held musical gatherings where musicians such as Mikhail Glinka improvised on the instrument. The prince himself was known for occasionally improvising fugues based on themes from Russian folksongs. In addition to an active performing life, he is also reputed to be the first Russian musicologist, 5 having copied out music from the Italian Rena...
Source: thediapason.com