Alberto Testone News Today

“Never Too Late for Love,” a 2022 Italian romantic comedy, comes to the M.V. Film Center on Friday, Oct. 27, and plays through Nov. 2. It stars Gianni Di Gregorio as Astolfo, a retired professor evicted from his Rome apartment. The viewer learns that Astolfo has moved into a deteriorating family palace in the country. […]

21/10/2022 - Gianni Di Gregorio’s movie is a brilliant comedy casting a tender and disenchanted eye over the loves, ailments and infinite annoyances of the third age

Catholic art historian Elizabeth Lev returns to Criteria to discuss two films about Michelangelo: The Agony and the Ecstasy (1965) and Sin (2019).

Sin Review: The Madness and Melancholy of Michelangelo Sin Review: The Madness and Melancholy of Michelangelo Andrei Konchalovskys handsomely lensed film about the great Italian artist grapples with how to create divine works amid earthly travails. Manuel Betancourt, provided by FacebookTwitterEmail Director: Andrei Konchalovsky With: Alberto Testone, Jakob Diehl, Francesco Gaudiello, Federico Vanni, Glenn Blackhall, Orso Maria Guerrini, Anita Pititto. (Italian dialogue) Running time: Running ...

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2/19/2021 Arriving in the U.S. almost simultaneously with his raved-about release Sin centers on another artist whose grand projects often competed with each other: Michelangelo, whose talents were demanded by one pope even as he had years to go on a job for that mans predecessor. A beautiful but decidedly unromantic look at artistic drive, the Italian/Russian production zeroes in on the great mans demons without, as art-biographical cliches usually have it, crediting them for his genius. A ca...

Print Neither agonizing nor ecstatic, but solidly cinematic, Andrei Konchalovsky’s Michelangelo biopic “Sin” sees the veteran Russian filmmaker tackling the mystery of genius with what might be described as sumptuous grit. It’s a Renaissance-era recreation that looks both lavish and hard, bracketed in a sense by the infinite gaze from the Italian alps at one extreme and at the other, the everyday dodge in Florentine or Roman streets of emptied waste buckets; in between, amidst popes and...

The second feature in recent months from the Russian director Andrei Konchalovsky is a grimy, austere Michelangelo biopic.

MICHELANGELO BUONARROTI, that incomparable Renaissance Man, is masterfully brought back to life by Russian film maestro Andrei Konchalovsky in Sin (Il Peccato), which he co-wrote and directed. In it, Alberto Testone incarnates Michelangelo in early-16th century Renaissance Italy in Rome, Florence and the quarry where the sculptor connives to snag the world’s largest slab of marble known to man. Will “the monster,” as this gigantic chunk of snow-white rock is called because of its sheer im...

My father, Richard Rampell, was a photographer who used to exhibit his artsy black and white pictures in Manhattan’s top photo galleries. Always a good provider, Dad supported our family by teaching at Boys High in Bed Stuy, explaining: “All artists require patrons.